A work in constant progress (and occasional regress).
Release Date:
August 23, 1962
Original Title:
El grano de mostaza
Genres:
Comedy
Production Companies:
Les Films Alain Sarde
Tarfe Films
Production Countries:
Spain
Ratings / Certifications:
RO: 15
Runtime: 100
Evelino Galindo, the serious owner of a porcelain store, argues with the womanizer jeweler Orcajo for an insignificant game of dominoes. Evelino, enraged, challenges him the next day to a duel in the gym. But after meditating a bit he starts to get scared. That is why, with the help of his friend Leoncio, he sharpens his wit to find a way to escape from combat. However, the situation is becoming more complicated.
Assistant Camera:
Ricardo Navarrete
Francisco Gómez Conde
Assistant Director:
Luis Ligero
Assistant Editor:
José Luis Matesanz
Assistant Makeup Artist:
Julia Fortea
Assistant Set Dresser:
Eduardo Ruano
Assistant Unit Manager:
Ángel Rodríguez
Construction Coordinator:
Francisco Rodríguez Asensio
Costumer:
Pedro Rodríguez
Director:
José Luis Sáenz de Heredia
Director of Photography:
José F. Aguayo
Editor:
Julio Peña
Executive In Charge Of Production:
José María Ramos
Executive Producer:
Marciano De la Fuente Rodríguez
Hairstylist:
Amalia Carcelén
Makeup Artist:
Francisco Ramón Ferrer
Music:
Juan Quintero
Production Assistant:
Miguel Pérez Marián
Ricardo Bonilla
Production Manager:
Tíbor Reves
Property Master:
Joaquín Serrano
Marino Méndez
Set Costumer:
Sara Fernández
Set Decoration:
Enrique Alarcón
Sound Recordist:
Antonio Alonso
Still Photographer:
Ricardo Ortiz
Title Designer:
Pablo Núñez
Writer:
José Luis Sáenz de Heredia
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.