A work in constant progress (and occasional regress).
Release Date:
May 26, 2017
Original Title:
War Machine
Alternate Titles:
The Operators
Πολεμική Μηχανή
מכונת מלחמה
ウォー・マシーン:戦争は話術だ!:2017
워 머신
Genres:
Comedy | Drama | War
Production Companies:
Plan B Entertainment
Production Countries:
United States of America
Ratings / Certifications:
BR: 16 DE: 12 ES: 16 GB: 15 PL: 16 US: R
Runtime: 122
A rock star general bent on winning the “impossible” war in Afghanistan takes us inside the complex machinery of modern war. Inspired by the true story of General Stanley McChrystal.
ADR Recordist:
Peter Gleaves
Art Department Coordinator:
Tabitha Quitman
Art Direction:
Keith Pain
Martin Sullivan
Will Coubrough
Casting:
Des Hamilton
Francine Maisler
Miranda Davidson
Co-Producer:
Ben Howarth
Costume Design:
Jane Petrie
Costume Supervisor:
Phaedra Dahdaleh
Sparka Lee Hall
Gabrielle Spanswick
Director:
David Michôd
Director of Photography:
Dariusz Wolski
Editor:
Peter Sciberras
Executive Producer:
Sarah Bowen
Pauline Fischer
Sarah Esberg
James W. Skotchdopole
Foley Artist:
Zoe Freed
Peter Burgis
Jason Swanscott
Foley Editor:
Peter Hanson
Foley Supervisor:
Judah Getz
Glen Gathard
Hairstylist:
Ryo Murakawa
Key Hair Stylist:
Peta Dunstall
Key Makeup Artist:
Robb Crafer
Makeup Artist:
Sophie Slotover
Fabienne Robineau
Renata Gilbert
Tatiana Zarubova
Jean Ann Black
Makeup Designer:
Alessandro Bertolazzi
Novel:
Michael Hastings
Original Music Composer:
Warren Ellis
Nick Cave
Producer:
Michael P. Flannigan
Ted Sarandos
Ian Bryce
Jeremy Kleiner
Brad Pitt
Dede Gardner
Production Design:
Josephine Ford
Property Master:
Paul Purdy
Screenplay:
David Michôd
Set Decoration:
Christopher Donovan
Judy Farr
Sound Designer:
Sam Petty
Sound Effects Editor:
Arthur Graley
Thom Kellar
Sound Re-Recording Mixer:
Mike Prestwood Smith
Supervising Art Director:
Matthew Gray
Wigmaker:
Gemma Dillon
Alex Rouse
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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