A work in constant progress (and occasional regress).
Release Date:
April 15, 2005
Original Title:
Down and Derby
Alternate Titles:
Apacsata
El pequeño gran derby
Racing Ace
Большие гонки
Великі перегони
Genres:
Comedy | Family
Production Companies:
Pure Entertainment
Stonehaven Media
Production Countries:
United States of America
Ratings / Certifications:
US: PG
Runtime: 90
A local Pinewood Derby competition transforms an average group of dads into overzealous rivals desperate to build the winning car. As egos swell, the kids are lucky if they get to pick the paint color. While the dads are busy with outlandish gimmicks and sabotage, the underestimated scouts pull together and discover the true meaning of sportsmanship.
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Assistant Editor:
Peter Pav
Assistant Hairstylist:
Pasha Perkins
Assistant Makeup Artist:
Anna K. Findlay
Best Boy Electric:
Kelly Klindt
Best Boy Grip:
Brandon Ellsworth
Boom Operator:
Jeff Carter
Casting:
Allison Cowitt
Mike Fenton
Casting Assistant:
Ann Frederick
Color Timer:
Mato
Costume Design:
Hayley Hammond
Director:
Eric Hendershot
Director of Photography:
T.C. Christensen
Gordon Lonsdale
Editor:
Tony Lombardo
Executive Producer:
Eric Hendershot
John D. Stone
First Assistant Camera:
Rick Page
First Assistant Director:
Matt Henderson
First Assistant Editor:
Peter Pav
Gaffer:
Rhett E. Fernsten
Kent R. Findlay
Key Grip:
Todd Taylor
Key Makeup Artist:
Laurie Vukich
Location Manager:
Dan Whalen
Makeup Department Head:
Laurie Vukich
Original Music Composer:
Chuck E. Myers
Andrew Gross
Post Production Supervisor:
Justin Hixon
Producer:
Steele Hendershot
Dickilyn Johnson
Production Coordinator:
Carly Brown
Production Design:
Arizona Taylor
Prop Maker:
Kade Mathew
Script Supervisor:
Suzanne Bingham
Second Assistant Camera:
Gary Johnson
Second Assistant Director:
Heather Toone
Second Second Assistant Director:
Eric S. Johnston
Sound Mixer:
Steven C. Laneri
Still Photographer:
Clayton Chase
Unit Production Manager:
John Goodwill
Visual Effects:
Craig Kuehne
Writer:
Eric Hendershot
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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