A work in constant progress (and occasional regress).
Release Date:
December 2, 2016
Original Title:
Run the Tide
Alternate Titles:
Os Irmãos
Genres:
Drama
Production Companies:
1821 Pictures
Production Countries:
United States of America
Ratings / Certifications:
RU: 16+
Runtime: 100
When their drug abusing mother is released from prison determined to rebuild their family, Rey kidnaps his younger brother Oliver and escapes their desert home for the California coast.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Recordist:
Tony McVann
ADR Supervisor:
Ben Whitver
Additional Music:
Johnzo West
Art Department Assistant:
Julie Long
Art Direction:
Katrina Sainz
Assistant Editor:
Jeremy Lerman
Associate Producer:
Julie Helton
Kyle Rosenblum
Best Boy Electric:
Cody Pratt
Best Boy Grip:
Jason Younger
Ralph Del Castillo
Boom Operator:
Austin Hunter
David Parker
Camera Operator:
Myron Parran
Casting:
J.C. Cantu
Casting Associate:
Travis Zahodnik
Co-Producer:
J.C. Cantu
Alexis Varouxakis
Soham Mehta
Kostas Tsoukalas
Rajiv Shah
Colorist:
Sebastian Perez-Burchard
Costume Design:
Kim H. Ngo
Costumer:
Krystine Couch
Digital Imaging Technician:
Fabricio DiSanto
Digital Intermediate Editor:
J.D. Moore
Digital Intermediate Producer:
Alan Pao
Heather Toll
Director:
Soham Mehta
Director of Operations:
Michael Toji
Director of Photography:
John T. Connor
Driver:
Phil Coppola
Michael Kellermann
Alethea Geges
Hector Perez
Al Valentine
Editor:
Evita Yuepu Zhou
Rick Grayson
Electrician:
Matthew Coleman II
Executive Producer:
Terry Dougas
Paris Kassidokostas-Latsis
First Assistant Camera:
Zach Graber
Logan Schneider
First Assistant Director:
Doug Turner
Foley Artist:
Lorita de la Cerna
Foley Editor:
Alex Johnson
Gaffer:
Matthew Coleman
Grip:
Dominic Bendijo
Noel Campos
Joe Mag
Kevin O'Bannon
Alexander W. Gage
Robbie Patchen
Hair Department Head:
Lauren Bates Jaffe
Key Grip:
Bruce Del Castillo
Key Set Production Assistant:
Pat O'Malley
Andy Reynolds
Leadman:
J.W. Hargrave
Legal Services:
Greg Bernstein
Line Producer:
Amanda Rohlke
Location Assistant:
Jenn O'Donnell
Location Manager:
Brooke Kivowitz
Makeup Department Head:
Sasha Grossman
Music:
Tommy Simpson
Music Supervisor:
Mary Ramos
Holly Adams
Post Production Accountant:
Sheri Reeves
Post Production Supervisor:
Sheryl Benko
Producer:
Pilar Savone
Production Accountant:
Shuli Harel
Production Assistant:
Chelsey Colosimo
Curt Sova
Athena Andoniades
Randy Kizer
Jerell Rosales
Ben Winston
Production Coordinator:
Kelly Rutta
Production Design:
David Batchelor Wilson
Production Sound Mixer:
Alex Names
Property Master:
Samuel Cortez
Script Researcher:
Carol A. Compton
Script Supervisor:
Alex Brown
Second Assistant Camera:
Hilkiya Browne
Brandon Cox
Second Assistant Director:
Brendan Lee
Second Second Assistant Director:
Morgan Poferl
Security:
Daniel Flores
Set Decoration:
Anna Livia Cullinan
Set Dresser:
Daniel Madore
Camille Burge
Set Medic:
Rene Gonzales
Micah Goldstein
Andrew Speckman
Set Production Assistant:
Alex Dolan
Teddy Purdy
Jamin Rogers
Sound Effects Editor:
Zheng Jia
Raymond Park
Sound Mixer:
Alex Johnson
Ben Whitver
Sound Re-Recording Mixer:
Sean Heissinger
Trip Brock
Sound Recordist:
Caleb Hollenback
Stand In:
Anthony Aria
Still Photographer:
Nick Spanos
Storyboard Artist:
Austin Jose
Studio Teacher:
Marie Rogers
Adam Bennett
Stunt Coordinator:
Zack Duhame
Steve M. Davison
Supervising Dialogue Editor:
Ian Shedd
Supervising Sound Editor:
Trip Brock
Transportation Coordinator:
Jon Gearhart
Unit Production Manager:
Amanda Rohlke
Visual Effects Producer:
Fortunato Frattasio
Visual Effects Supervisor:
Brennan Prevatt
Writer:
Rajiv Shah
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.