A work in constant progress (and occasional regress).
Release Date:
October 16, 2015
Original Title:
North v South
Alternate Titles:
Long Time Coming... North v South
Genres:
Crime | Thriller
Production Companies:
North South Films
Production Countries:
United Kingdom
Ratings / Certifications:
US: R
Runtime: 97
For decades the criminal underworlds of the North and South bumped along begrudgingly. Like the Cold War, territories were respected out of the necessity to avoid apocalypse, with each side keeping tabs on the other’s capability. Such a precarious false harmony could not last forever. Now someone has crossed the line, and there’s no going back. An illicit love affair smolders, breaking taboo and threatening catastrophe at the smallest mistake. It is a romance of purest, unadulterated love, yet so forbidden that its discovery would wreak total carnage. The story is told through vignettes of strikingly original characters, with intertwining subplots that echo the complexity of life in the dog-eat-dog criminal underworld.
Art Direction:
Karen Roch
Assistant Foley Artist:
Jemma Riley-Tolch
Casting:
Shakyra Dowling
Costume Design:
Georgina Napier
Director:
Steven Nesbit
Director of Photography:
Kyle Heslop
Editor:
Kim Gaster
Executive Producer:
Susie Foottit
Lawrence King
First Assistant Director:
Neil Shand
Foley Artist:
Jack Stew
Foley Mixer:
Glen Gathard
Makeup Artist:
Anna Dickes
Stacey Jackson
Original Music Composer:
Neil Athale
Producer:
Benjamin Foottit
Mark Foligno
Production Design:
John Ellis
Sound:
Nigel Squibbs
Visual Effects Supervisor:
Brooke Lyndon-Stanford
Writer:
Steven Nesbit
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.