A work in constant progress (and occasional regress).
Release Date:
June 28, 1932
Original Title:
Die Herrin von Atlantis
Alternate Titles:
Antinea
Antinea, l’amante della città sepolta
Atlantida
Atlantis, City Beneath the Desert
Atlantis, i hameni ipeiros
Journey Beneath the Desert
Lost Kingdom
Queen of Atlantis
Siren of Atlantis
Genres:
Fantasy | Science Fiction
Production Countries:
France | Germany
Ratings / Certifications:
N/A
Runtime: 87
Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.
Adaptation:
Alexandre Arnoux
Art Direction:
Ernö Metzner
Pierre Ichac
Costume Design:
Max Pretzfelder
Dialogue:
Jacques Deval
Miles Mander
Director:
G.W. Pabst
Director of Photography:
Eugen Schüfftan
Ernst Körner
Editor:
Jean Oser
Marc Sorkin
Makeup Artist:
Paul Dannenberg
Novel:
Pierre Benoît
Original Music Composer:
Wolfgang Zeller
Producer:
Romain Pinès
Seymour Nebenzal
Screenplay:
Ladislaus Vajda
Hermann Oberländer
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.