A work in constant progress (and occasional regress).
Release Date:
August 3, 2017
Original Title:
Final Portrait
Alternate Titles:
寂寞大师
Genres:
Drama | History
Production Companies:
Arsam International
HanWay Films
Lowsun Productions
Olive Productions
Potboiler Productions
Riverstone Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AT: AA AU: M BE: 12 ES: 12 GB: 15 HU: 18 IE: 15A JP: G KR: 15 NL: 14 PT: M/12 RU: 18+ SE: 15 US: R
Runtime: 87
Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most.
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Book:
James Lord
Casting:
Nina Gold
Costume Designer:
Liza Bracey
Digital Colorist:
Adam Glasman
Director:
Stanley Tucci
Director of Photography:
Danny Cohen
Editor:
Camilla Toniolo
Executive Producer:
Deepak Nayar
Fred Hogge
Ted Blumberg
First Assistant Director:
Lance Roehrig
Foley Artist:
Jack Stew
Gaffer:
Paul McGeachan
Line Producer:
Michael S. Constable
Makeup & Hair:
Catherine Scoble
Original Music Composer:
Evan Lurie
Producer:
Gail Egan
Ilann Girard
Nik Bower
Production Design:
James Merifield
Production Manager:
Filiz-Theres Erel
Production Sound Mixer:
Gary Dodkin
Screenplay:
Stanley Tucci
Script Supervisor:
Yasmin Rais
Set Decoration:
Sara Wan
Sound Designer:
Jack Gillies
Sound Re-Recording Mixer:
Tim Cavagin
Craig Irving
Special Effects Supervisor:
Chris Reynolds
Still Photographer:
Parisa Taghizadeh
Supervising Art Director:
David Hindle
Supervising Sound Editor:
Tim Hands
Thanks:
Steve Buscemi
Visual Effects Supervisor:
Richard R. Reed
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.