A work in constant progress (and occasional regress).
Release Date:
May 16, 1994
Original Title:
Highlander: Counterfeit
Alternate Titles:
Highlander: The Series - Counterfeit
Genres:
Action | Fantasy
Production Companies:
Davis-Panzer Productions
Filmline International
Gaumont Télévision
Production Countries:
Canada | France
Ratings / Certifications:
US: NR
Runtime: 95
Horton, an old mortal enemy, puts a criminal through plastic surgery to make her look like Tessa. The false Tessa sets Duncan up for the final death.
Armorer:
Bob Anderson
Art Designer:
Valérie Valéro
Assistant Unit Manager:
Philippe Baisadouli
Associate Producer:
Marc Du Pontavice
Boom Operator:
Jean Casanova
Camera Operator:
François Chrétien
Characters:
Gregory Widen
Co-Executive Producer:
Nicolas Clermont
Costume Design:
Charlotte Joly
Creative Consultant:
David Abramowitz
Director:
Paolo Barzman
Dennis Berry
Director of Photography:
Cyril Lathus
Editor:
Allan Lee
Executive Producer:
Christian Charret
Marla Ginsburg
William N. Panzer
Peter S. Davis
First Assistant Director:
Léonard Guillain
Pascal Salafa
Foley Artist:
Jim Harrington
Michael Keeping
Foley Editor:
Ken Biehl
Gaffer:
Dominique Dejean
Hairstylist:
Dominique Buisson
Key Grip:
Jean-Claude Dague
Key Makeup Artist:
Clarisse Domine
Makeup Artist:
Reine-Marie Montemont
Music:
Roger Bellon
Post Production Supervisor:
Tracy Hillman
Producer:
Ken Gord
Production Manager:
Patrick Millet
Property Master:
Bernard Sans
Second Assistant Director:
Jerome Borenstein
Set Decoration:
Georges Lecosse
Chantal Giuliani
Set Dresser:
Michael Love
Sound Designer:
Jason King
Sound Effects Editor:
Ken Biehl
Sound Mixer:
Bernard Rochut
Sound Re-Recording Mixer:
Greg Stewart
Ken Biehl
Special Effects:
Pierre Foury
Still Photographer:
Chris Helcermanas-Benge
Didier Baverel
Stunt Coordinator:
Patrick Cauderlier
Stunts:
Jean-Claude Braquet
Marcel Labbaye
Patrick Médioni
Alain Grellier
Unit Manager:
Philippe Chaussende
Writer:
David Tynan
Brad Wright
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.