A work in constant progress (and occasional regress).
Release Date:
May 14, 2015
Original Title:
Sin hijos
Alternate Titles:
Bezdětný?
Fara copii
Gyerekről egy szót se
No Kids
Se permetti non parlarmi di bambini!
Sem Filhos
Χωρίς παιδιά
Без деца
Детей нет
丁克主义
Genres:
Comedy | Romance
Production Companies:
Cine Argentino
Está por venir
INCAA
Instituto de la Cinematografía y de las Artes Audiovisuales
MyS Producciones
Patagonik
Tornasol Media
Production Countries:
Argentina | Spain
Ratings / Certifications:
GR: Κ
Runtime: 90
Gabriel has been separated for four years now. Since then his 8 year old daughter is the center of his life. Completely avoiding getting involved in a new romantic relationship, Gabriel focus all his energy in his daughter and work. This plan gets spoiled when Vicky, a platonic love from his adolescence, now a beautiful and independent woman appears in his life. When romance is about to start, she puts one condition: She would never get involved with a man with children. She just does not want children in her life. When Gabriel is confronted with this, he says he has no children. From that moment on his life becomes a torment, playing every trick at hand in order to hide his child and belongings from Vicky in every date.
Art Department Trainee:
Paula Kosoy
Soledad Cases
Tatiana Deis
Art Direction:
Daniel Gimelberg
Assistant Art Director:
Mercedes Sarmiento
Agostina Ravazzola
Valeria Pardu
Assistant Costume Designer:
Jacqueline Elizabeth Suárez
Josefina Vecchietti
Assistant Director:
Bruno Roberti
Assistant Director Trainee:
Celeste Lambert
Assistant Editor:
Luisina Rampoldi
Assistant Grip:
Juan Alejo Fernandez
Assistant Makeup Artist:
Silvina Paolucchi
Assistant Property Master:
Matías Gérez
Mauro Bensoni
Boom Operator:
María Elisa Canobra
Camera Operator:
Miguel Caram
Casting Assistant:
Verónica Zelwianski
Magdalena Capobianco
Colorist:
Luisa Cavanagh
Continuity:
Fernando Alcalde
Dialogue Editor:
Matías Vilaro
Digital Compositor:
Leonardo Quartieri
Maxi Gomez
Digital Imaging Technician:
Mariano Poleri
Director:
Ariel Winograd
Director of Photography:
Félix Monti
Editor:
Alejandro Brodersohn
Electrician:
Jaime Muschietti
Federico Santamarina
Extras Casting Coordinator:
Pablo Lago
Film Processor:
Beto Acevedo
First Assistant Director:
Renata Biagiola
Focus Puller:
Marcela Martínez
Foley Artist:
Miren Begoña Cortazar
Foley Editor:
Deisy Quevedo
Foley Mixer:
Leyla de la Hoz
Gaffer:
Daniel Hermo
Genetator Operator:
Roberto Escalante
Mauro Cáceres
Grip:
Juan Alejo Fernandez
Christian Bonini
Hairstylist:
Noé Montes
Key Grip:
Juan José Fernández
Juan Fernández
Lighting Manager:
Marcelo Vázquez
Line Producer:
Juan Lovece
Location Assistant:
Verónica Larumbe
Location Manager:
Federico Noejovich
Music:
Dario Eskenazi
Post Production Assistant:
Samanta Rivero Hasper
Post Production Supervisor:
Gustavo Arnaudin
Post-Production Manager:
María Merediz
Production Assistant:
Rodrigo Sanchez Armentano
Verónica Lobariñas
Lucas Almirón
Florencia Clerico
Production Manager:
Augusto Greco
Production Trainee:
Ana Paula Montenegro
Property Master:
Sebastián Loiacono
Props:
Alejandro Cortona
Second Assistant Camera:
Martin Dotta
Second Assistant Director:
Natan De Leo
Set Designer:
Natalia Mendiburu
Sound:
José Luis Díaz
Sound Effects Editor:
Gonzalo Matijas
Sound Mixer:
Javier Farina
Sound Re-Recording Mixer:
Diego Gat
Sound Recordist:
Javier Farina
Special Effects Makeup Artist:
Alex Matthews
Steadicam Operator:
Darío Trivino
Still Photographer:
Claudio Iturrieta
Alfredo Suárez
VFX Artist:
Martin Ancel Patterson Roberts
Video Assist Operator:
Lorna Santiago
Writer:
Mariano Vera
Pablo Solarz
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.