A work in constant progress (and occasional regress).
Release Date:
March 15, 1974
Original Title:
Milenci v roce jedna
Genres:
Drama | Romance
Production Companies:
Filmové studio Barrandov
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Runtime: 95
It is the summer of 1945. A party of young people are enjoying the beginning of a new life to the full. For them this is the year one. One of them, law student Pavel, is more attracted to film than to law. With his eight-millimeter camera, he films everything that catches his attention. One day he captures an interesting face on film, a girl with an air of mystery. Pavel visits the girl, whose name is Helena, and meets hers and her elder energetic sister Olga. From Olga, he learns that the girls have spent the years of German occupation in a concentration camp and cannot forget the horrors they have lived through.
Assistant Camera:
Stanislav Šťastný
Assistant Director:
Jiří Kratochvíl
Assistant Editor:
Eva Horázná
Assistant Production Design:
Jiří Matolín
Assistant Production Manager:
Přemysl Pražský
Camera Operator:
Oldřich Hubáček
Clapper Loader:
Ivana Švejdová
Conductor:
František Belfín
Costume Design:
Marta Kaplerová
Costumer:
Helena Vondrušková
Eva Máslová
Creative Producer:
Ota Hofman
Director:
Jaroslav Balík
Director of Photography:
Jan Čuřík
Dramaturgy:
Karel Štorkán
Editor:
Jiřina Lukešová
First Assistant Director:
Elmar Kloss
Lyricist:
Zdeněk Borovec
Makeup & Hair:
Anežka Kunová
Jana Bozděchová
Original Music Composer:
Karel Mareš
Production Design:
Zbyněk Hloch
Production Manager:
Karel Kochman
Screenplay:
Jan Otčenášek
Jaroslav Balík
Script:
Anna Lackovičová
Set Decoration:
Ivo Černý
Miloš Osvald
Jiří Rulík
Jan Smejkal
Sound:
Roman Hloch
Still Photographer:
Jan Kuděla
Story:
Jan Otčenášek
Unit Production Manager:
Ladislav Beneš
Petra Havlínová
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.