Home

Their Finest (2017) [R]

Release Date:
February 19, 2017

Original Title:
Their Finest

Alternate Titles:
Aşkın Çekimi
Il giorno più bello
Their Finest Hour
Une belle rencontre
Їх зоряні півтори години
他们最好的
他们的最好时光
他们的美好时光
아름다운 날들

Genres:
Drama | Romance | War

Production Companies:
BBC Film
EuropaCorp
Film i Väst
Filmgate Films
HanWay Films
Number 9 Films
Pinewood Pictures
Ripken Productions
Wildgaze Films

Production Countries:
France | Sweden | United Kingdom

Ratings / Certifications:
AT: 12  CA: R  DE: 12  ES: 7  GB: 12A  IE: 12  JP: PG12  KR: 15  NL: 12  PL: 16  PT: M/12  SE: 11  US: R 

Runtime: 117

In the fight for freedom everyone played a part.

Overview from TheMovieDB

During the Blitz of World War II, a female screenwriter works on a film celebrating England's resilience as a way to buoy a weary populace's spirits. Her efforts to dramatise the true story of two sisters who undertook their own maritime mission to rescue wounded soldiers are met with mixed feelings by a dismissive all-male staff.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Teaser

Clip

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Editor:
Nina Hartstone

ADR Voice Casting:
Vanessa Baker

Art Direction:
Jonathan Houlding
Gareth Cousins

Associate Producer:
Richard Mansell

Casting:
Lucy Bevan
Kate Rhodes James

Casting Assistant:
Emma Crompton

Costume Designer:
Charlotte Walter

Costume Supervisor:
Hannah Walter

Dialogue Editor:
James Wichall

Director:
Lone Scherfig

Director of Photography:
Sebastian Blenkov

Editor:
Lucia Zucchetti

Executive Producer:
Robert Norris
Ed Wethered
Zygi Kamasa
Christine Langan
Ivan Dunleavy
Thorsten Schumacher
Peter Watson

First Assistant Director:
Jack Ravenscroft

Foley:
Peter Burgis
Glen Gathard

Gaffer:
Brian Beaumont

Hair Designer:
Elizabeth Yianni-Georgiou

Hairstylist:
Catriona Johnstone
Hanna Canfor

Key Grip:
Kevin Foy

Line Producer:
Jim Spencer

Location Scout:
Simon Baber

Makeup Artist:
Bella Ava Georgiou
Eva Marieges Moore

Makeup Designer:
Elizabeth Yianni-Georgiou

Music Editor:
Christoph Bauschinger

Music Supervisor:
Laura Katz

Novel:
Lissa Evans

Original Music Composer:
Rachel Portman

Post Production Supervisor:
Polly Duval

Producer:
Amanda Posey
Stephen Woolley
Finola Dwyer
Elizabeth Karlsen

Production Coordinator:
Andy Surry

Production Design:
Alice Normington

Property Master:
Craig Price

Rigging Gaffer:
Ian Glenister

Screenplay:
Gaby Chiappe

Script Supervisor:
Irene Chawko

Second Assistant Director:
James Manning

Set Decoration:
Liz Griffiths

Sound Designer:
Glenn Freemantle

Sound Re-Recording Mixer:
Andrew Caller

Sound Recordist:
Martin Trevis

Special Effects Coordinator:
Jade Poole

Special Effects Supervisor:
Chris Reynolds

Still Photographer:
Nicola Dove

Stunt Coordinator:
Jo McLaren

Stunts:
Simon McLaren-Clark
Dan Hirst
Gavin Lee Lewis

Supervising Art Director:
Lynne Huitson
Nic Pallace

Supervising Dialogue Editor:
Nina Hartstone

Supervising Sound Editor:
Glenn Freemantle
Ben Barker

Title Designer:
Howard Watkins

Unit Production Manager:
Kate Hazell

Visual Effects Coordinator:
Erica Winkler

Visual Effects Supervisor:
Alan Banis
Daniel Nielsen

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.