A work in constant progress (and occasional regress).
Release Date:
February 6, 2015
Original Title:
Lovemilla
Genres:
Comedy | Romance | Science Fiction
Production Companies:
It's Alive Films
Production Countries:
Finland
Ratings / Certifications:
FI: K-12
Runtime: 97
Aimo and Milla live together at her alcoholics-turned-zombies parents' place, while saving money to move out. Due to his lack of self confidence, Aimo wastes their savings to turbo-boost his muscles, and eventually to turn himself into a robot. Milla doesn't like this new Aimo and leaves him. Aimo's heartache leads him to give up his heart for a metal one, one that doesn't hurt. Milla decides to steal Aimo heart: after all, a woman needs to have a man's heart. Lovemilla is an anarchic comedy trip, a story about love, robots and bodybuilding.
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Assistant Camera:
Elina Eränen
Assistant Director:
Tuula Nikkola
Assistant Editor:
Kerttu Jaatinen
Boom Operator:
Jyrki Sahla
Ilkka Väisänen
Colorist:
Adam Vándor
Costume Design:
Anna Vilppunen
Digital Imaging Technician:
Kerttu Jaatinen
Director:
Teemu Nikki
Director of Photography:
Jyrki Arnikari
Dramaturgy:
Leo Viirret
Editor:
Iikka Hesse
Executive Producer:
Jani Pösö
Teemu Nikki
Foley Artist:
Tapio Liukkonen
Gaffer:
Juha Virtala
Grip:
Olli Kukkonen
Line Producer:
Tuula Nikkola
Makeup Designer:
Salla Yli-Luopa
Online Editor:
Eetu Niininen
Original Music Composer:
Janne Huttunen
Producer:
Jani Pösö
Production Design:
Kari Kankaanpää
Production Sound Mixer:
Sami Kiiski
Property Master:
Maura Pusa
Second Assistant Camera:
Janina Witkowski
Second Assistant Director:
Petra Lumioksa
Sound Designer:
Timo Anttila
Tuomas Seppänen
Sound Re-Recording Mixer:
Olli Pärnänen
Steadicam Operator:
Jari Mutikainen
Still Photographer:
Kerttu Jaatinen
Writer:
Teemu Nikki
Jani Pösö
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.