A work in constant progress (and occasional regress).
Release Date:
April 30, 2015
Original Title:
А зори здесь тихие...
Alternate Titles:
... a rána sú tu tiché
A zori zdes tikhie...
Genres:
Drama | War
Production Companies:
Interfest
Real Dakota
Star Media
Production Countries:
Russia
Ratings / Certifications:
JP: G RU: 12+ SK: 15
Runtime: 120
It is late spring of 1942, and the Great Patriotic War is in full swing. A long way off from the front-line, at some God-forgotten junction, the Germans make an air landing operation in an attempt to get through to the Kirov railway and the White Sea - the Baltic Sea Canal. These aren't just ordinary paratroopers. This is a team of seasoned and highly trained infiltrators, the elite of the Waffen-SS, superhumans. The only thing in their way is an anti-aircraft artillery unit of corporal Vaskov and five young women in training. It may seem like a fight of local significance, but the countrys main strategic transportation artery is at stake. Can the corporal and his 'petite newbies' prevent Nazi sabotage and at what cost? Television version: An extended version made out of four 45 minute episodes was released on Channel One Russia, on 9 May 2016. Available on PrimeVideo.
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Additional Director of Photography:
Denis Panov
Gleb Yakovlev
Artem Anisimov
Assistant Director:
Andrey Peshekhodko
Associate Producer:
Sergey Fiks
Andrey Bondarenko
Casting Director:
Yekaterina Dyukova
Co-Writer:
Dmitry Novoselov
Costume Design:
Aleksandr Osipov
Director:
Renat Davletyarov
Director of Photography:
Semen Yakovlev
Editor:
Matvey Epanchintsev
Executive Producer:
Grigoriy Podzemelnyy
Makeup Artist:
Anastasiya Esadze
Music:
Roman Dormidoshin
Production Design:
Artem Kuzmin
Screenplay:
Artem Vitkin
Yuri Korotkov
Second Unit Director:
Evgeny Grigoryev
Matvey Epanchintsev
Sound Designer:
Aleksandr Kopeykin
Anton Bulle
Sound Director:
Sergey Bubenko
Anatoly Belozerov
Steadicam Operator:
Aleksandr Vdovenko
Stunt Coordinator:
Viktor Ivanov
Evgeniy Bogorodskiy
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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