A work in constant progress (and occasional regress).
Release Date:
November 30, 1996
Original Title:
Shiloh
Alternate Titles:
El Precio de Una Promesa
Shailo
Shiloh O Melhor Amigo
Shiloh: El Precio de Una Promesa
Genres:
Drama | Family
Production Companies:
Good Dog Productions
Utopia Pictures
Zeta Entertainment
Production Countries:
United States of America
Ratings / Certifications:
DE: 6 US: PG
Runtime: 93
An abused beagle runs away from his owner. On the road, he meets young Marty Preston and follows him home. The boy immediately forms a bond with the dog and names him Shiloh. His stern father won't let him keep the dog because it belongs to Judd Travers, a local hunter. After Shiloh is mistreated again, he runs away and returns to Marty. Knowing his father will once again make him bring Shiloh back to Judd, he makes a home for the dog in an old shed up the hill from the Prestons' house and hides him from his family. His secret is soon discovered when a stray attacks the dog one night and he must turn to his father for help.
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Casting:
Laura Schiff
Cinematography:
Frank Byers
Costume Design:
Charmian Schreiner
Director:
Chip Rosenbloom
Editor:
Mark S. Westmore
Executive Producer:
Carl Borack
Mark Yellen
First Assistant Director:
David Sage
Gaffer:
Robert Ferrara
Key Hair Stylist:
Kenneth Michael Beck
Key Makeup Artist:
Kenneth Michael Beck
Novel:
Phyllis Reynolds Naylor
Original Music Composer:
Joel Goldsmith
Producer:
Zane W. Levitt
Chip Rosenbloom
Production Design:
Amy Ancona
Screenplay:
Chip Rosenbloom
Script Supervisor:
Toby Forlenza
Second Assistant Director:
Michael Alperowitz
Set Decoration:
Melissa M. Levander
Sound Effects Editor:
Patrick O'Sullivan
Sound Mixer:
Daniel D. Monahan
Sound Post Supervisor:
Paul Ratajczak
Jack Warren
Sound Re-Recording Mixer:
Kurt Kassulke
Paul Ratajczak
Steadicam Operator:
Troy Smith
Stunt Coordinator:
Gary Paul
Stunts:
Kent W. Luttrell
Anthony Kramme
Patrick J. Statham
Title Designer:
Melissa Elliott
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.