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The Other Side (2015) [N/A]

Release Date:
November 25, 2015

Original Title:
The Other Side

Alternate Titles:
L'autre côté
Louisiana

Genres:
Documentary | Drama

Production Companies:
Agat Films & Cie / Ex Nihilo
Okta Film

Production Countries:
France | Italy

Ratings / Certifications:
CA: R  NL: 12 

Runtime: 92

Overview from TheMovieDB

In an invisible territory at the margins of society, at the border between anarchy and illegality, lives a wounded community that is trying to respond to a threat: of being forgotten by political institutions and having their rights as citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying to escape addiction through love, ex-special forces soldiers still at war with the world, floundering young women and future mothers, and old people who have not lost their desire to live. Through this hidden pocket of humanity, the door opens to the abyss of today's America.

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Production

Associate Producer:
Marc Bordure

Co-Producer:
Olivier Père
Rémi Burah

Director:
Roberto Minervini

Director of Photography:
Diego Romero

Editor:
Marie-Hélène Dozo

Original Music Composer:
Bertrand Défossé

Producer:
Paolo Benzi
Dario Zonta
Muriel Meynard

Producer's Assistant:
Gianluca Guzzo
Pierpaolo Cervi

Sound Editor:
Ingrid Simon

Sound Mixer:
Thomas Gauder

Sound Recordist:
Bernat Fortiana

Writer:
Roberto Minervini
Denise Ping Lee

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.