A work in constant progress (and occasional regress).
Release Date:
April 1, 2015
Original Title:
Nackt unter Wölfen
Alternate Titles:
Il Bambino nella valigia
Nadzy Wśród Wilków
Naked Among Wolves
The Camp
Genres:
Drama | History | War
Production Companies:
UFA Fiction
Production Countries:
Germany
Ratings / Certifications:
DE: 12 GB: 15 NL: 16
Runtime: 105
Taking place at the Concentration camp Buchenwald at the end of March 1945, prisoner Hans Pippig discovers in a carrying case of an incoming prisoner a Jewish child. If reported the three-year-old is sure to die. On the other hand, a violation of the rules of the camp would threaten the long prepared uprising of the concentration camp prisoners against the SS.
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Art Direction:
David Baxa
Assistant Costume Designer:
Bettina Köhler
Heike Schenck-Wuttke
Sabrina Krämer
Casting:
Nina Haun
Commissioning Editor:
Jana Brandt
Costume Design:
Wiebke Kratz
Costume Supervisor:
Věra Mírová
Director:
Philipp Kadelbach
Director of Photography:
Kolja Brandt
Editor:
Bernd Schlegel
Foley:
Jörg Klinkenberg
Gaffer:
Roland Knitter
Igor Jeleň
Makeup Artist:
Esther Behrendt
Juliane Hübner
Helena Šteidlová
Makeup Department Head:
Georg Korpas
Music:
Michael Kadelbach
Music Supervisor:
Stefan Broedner
Novel:
Bruno Apitz
Producer:
Verena Monßen
Benjamin Benedict
Nico Hofmann
Sebastian Werninger
Production Design:
Matthias Müsse
Screenplay:
Stefan Kolditz
Second Unit Director of Photography:
Jalaludin Trautmann
Set Costumer:
Zuzana Bursíková
Set Decoration:
Nancy Vogel
Sound Effects Editor:
Frieder Wohlfarth
Still Photographer:
Stephan Rabold
Supervising Sound Editor:
Thomas Neumann
Visual Effects Supervisor:
Denis Behnke
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.