A work in constant progress (and occasional regress).
Release Date:
May 15, 2015
Original Title:
Echoes of War
Alternate Titles:
War on the Range
Эхо войны [Echoes of War]
Genres:
Drama | Thriller | Western
Production Companies:
American Film Productions
Country Club
Provenance Pictures
Production Countries:
United States of America
Ratings / Certifications:
GB: 15
Runtime: 100
A Civil War veteran returns home to the quiet countryside, only to find himself embroiled in a conflict between his family and the brutish cattle rancher harassing them.
Armorer:
Byron Scott Thomas
Art Department Assistant:
Allie Lane
Art Direction:
James Wiley Fowler
Assistant Property Master:
Sarah Spencer
Chase Staggs
Best Boy Electric:
Rob McGreevy
Camera Operator:
Wes Cardino
Casting:
Emily Schweber
Costume Design:
Colin Wilkes
Dialogue Editor:
Kelly Vandever
Digital Intermediate:
Vahe Giragol
Director:
Kane Senes
Director of Photography:
Wes Cardino
Editor:
Arndt-Wulf Peemöller
Executive Producer:
George Voskericyan
First Assistant Camera:
Benjamin Tubb
First Assistant Director:
Drew Saplin
Foley:
Tara Blume
Gaffer:
Taylor Washington
Hairstylist:
Sheila Trujillo
Catherine Conrad
Key Grip:
Ty Eddingston
Leadman:
Zack Shisslak
Music:
Hanan Townshend
Producer:
Steven J. Berger
John Chriss
J.M.R. Luna
Kane Senes
Dave Szamet
Kyle Fischer
Josh Cole
Production Accountant:
Chase Insogna
Production Coordinator:
Anthony Cross
Production Design:
Anne Costa
Property Master:
Byron Scott Thomas
Script Supervisor:
T.J. Larson
Second Assistant Camera:
Justin Scheidt
Second Assistant Director:
Alexa DiCambio
Second Second Assistant Director:
Danny Soliz
Jacob Miguel
Set Costumer:
Jillian Talley
Set Dresser:
Fabian Valdez
Sound Effects Editor:
Dan Kenyon
Sound Re-Recording Mixer:
Andy Hay
Special Effects Coordinator:
Brandon Noack
Steve Krieger
Stunt Coordinator:
Charlie Parrish
Supervising Sound Editor:
Geordy Sincavage
Writer:
John Chriss
Kane Senes
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.