A work in constant progress (and occasional regress).
Release Date:
October 4, 2008
Original Title:
Rembrandt's J'Accuse...!
Alternate Titles:
Rembrandts Nachtwache - Geheimnisse eines Gemäldes
Genres:
Documentary | Mystery
Production Companies:
ARTE
Submarine
VPRO
WDR
YLE
Production Countries:
Finland | Germany | Netherlands
Ratings / Certifications:
N/A
Runtime: 86
J'accuse is an 'essay-istic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the background, the context, the conspiracy, the murder and the motives of all its 34 painted characters who have conspired to kill for their combined self-advantage. Greenaway leads us through Rembrandt's paintings into 17th century Amsterdam. He paints a world that is democratic in principle, but is almost entirely ruled by twelve families. The notion exists of these regents as charitable and compassionate beings. However, reality was different.
Director:
Peter Greenaway
Director of Photography:
Reinier van Brummelen
Editor:
Elmer Leupen
Music:
Marco Robino
Giovanni Sollima
Producer:
Bruno Felix
Femke Wolting
Kees Kasander
Screenplay:
Peter Greenaway
Sound Designer:
Huibert Boon
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.