A work in constant progress (and occasional regress).
Release Date:
March 6, 2015
Original Title:
En la gama de los grises
Alternate Titles:
A szürke vonzásában
En la gama de los grises
In the Grayscale
Skala szarosci
Genres:
Drama | Romance
Production Companies:
Tantan Films
Production Countries:
Chile
Ratings / Certifications:
CL: 14 DE: 12 GB: 15 HU: 12 MX: C PL: 12 US: NR
Runtime: 101
Bruno is an architect who has a perfect life: A nice family and a good job. Anyway, Bruno has a deep sense of unease. He decides to leave his wife to be alone and have time to find him self. A business man offers him to build an iconic landmark in Santiago city. Motivated by this professional challenge, Bruno feels he can find a twist in his life by a vocational route. He start working with a young history teacher named Fer who is agile, energetic, captivating and gay. Starts between them an unexpected and intense romance. At this point he must decide his path. The biggest learning: simplicity is the best way to get up again.
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Art Direction:
Daniela Lopez Montoya
Assistant Director:
Ebana Garín
Assistant Editor:
Melisa Miranda
Camera Operator:
Claudio Marcone
Andrés Jordán
Costumer:
Sebastián Torrico
Dialogue Editor:
Sebastián Pappalardo
Director:
Claudio Marcone
Director of Photography:
Andrés Jordán
Editor:
Felipe Gálvez
Executive Producer:
Luis Cifuentes
Focus Puller:
Paolo Giron
Gaffer:
Esteban 'Rabbit' Conejeros
Legal Services:
Franz Ruz
Original Music Composer:
Darío Segui
Other:
Liu Marino
Post Production Coordinator:
Daniel Dávila
Producer:
Claudio Marcone
Set Designer:
Camilo Solis
Sound:
José de la Vega
Sound Assistant:
Pablo Mardones
Sound Director:
Roberto Espinoza
Sound Mixer:
Roberto Espinoza
Writer:
Rodrigo Antonio Norero
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.