A work in constant progress (and occasional regress).
Release Date:
April 14, 1991
Original Title:
Absolute Strangers
Genres:
Drama | TV Movie
Production Companies:
CBS
Fries Entertainment
Gilbert Cates Productions
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 96
A husband tries to keep his comatose wife alive by allowing doctors to terminate her pregnancy. Hearing about this, anti-abortion protesters start a legal campaign to gain legal custody of the fetus.
Art Direction:
Lisa Smithline
Assistant Editor:
LaReine Johnston
Assistant Property Master:
Richard A. Mazzochi
Associate Producer:
Peggy Griffin
Best Boy Electric:
Neil Holcomb
Best Boy Grip:
Darwin Montana Browne
Boom Operator:
Forrest Williams
Camera Operator:
Eric J. Goldstein
Casting:
Penny Ellers
Chief Lighting Technician:
Austin Goss
Costume Design:
Evelyn Thompson
Costume Supervisor:
Sharon Rosenberg
Director:
Gilbert Cates
Director of Photography:
Mark Irwin
Dolly Grip:
Pascal Franchot
Editor:
Millie Moore
Electrician:
Richard M. Butkus Jr.
Alan Frazier
Thomas Cooney
Executive Producer:
Gilbert Cates
First Assistant Camera:
Stephen Wong
First Assistant Director:
Stephen Lofaro
Grip:
Thomas E. Kuntz
Lazarus Bota
Shawn Stone
Hairstylist:
N. Kristine Chadwick
Marina Torpin
Key Grip:
Loren Corl
Leadman:
Michael D. Crowell
Location Manager:
Andree Juviler
Makeup Artist:
Marina Torpin
N. Kristine Chadwick
Original Music Composer:
Charles Fox
Producer:
Dennis E. Doty
Production Assistant:
Pamela Antick
Marie-Laure Mathieu
Property Master:
Tommy Estridge
Script Supervisor:
Barbara Thaxton
Second Assistant Camera:
Dawn Jones
Second Assistant Director:
Peter C. Graupner
Second Second Assistant Director:
Patrick Regan
Set Costumer:
Garet Reilly
Set Decoration:
Lisa Monti
Set Dresser:
Eric J. Bates
Michael Bernard Anderson
Ross Dreyer
Sound Mixer:
Richard Lightstone
Transportation Coordinator:
Ken Peterson
Unit Production Manager:
Vicki Niemi
Writer:
Robert Anderson
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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