A work in constant progress (and occasional regress).
Release Date:
June 1, 1983
Original Title:
Pásla kone na betóne
Alternate Titles:
A Ticket to the Heaven
Concrete Pastures
She Kept Crying for the Moon
Genres:
Comedy | Drama | Romance
Production Companies:
Slovenská filmová tvorba
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Runtime: 81
Johanka had a fling with a well digger she had not met before and who, she was most likely certain, would never be around again. Just before his departure, they have sex and she eventually becomes single mother of a baby girl. Now, 18 years later, her daughter Paulina commutes by bus to work in the nearby city, which gives the village gossips the occasional opportunity to remind her of her unknown father. A resultant conflict with her mother makes Paulina take up residence in the city. Johanka, prodded by her also-single friend Jozefka who maintains that a woman without a man is nothing, begins to woo the new teacher Jarek only to discover later that he is married. Paulina, in the meantime, loses her virginity to the soldier Jirka who promptly makes himself scarce. Johanka fails to consider that she actually has a better life than some of her married neighbors, begins to see.
Assistant Production Design:
František Perger
Book:
Milka Zimková
Camera Operator:
Ján Magdolen
Conductor:
Štěpán Koníček
Costume Design:
Mária Šilberská
Director:
Štefan Uher
Director of Photography:
Stanislav Szomolányi
Dramaturgy:
Slavomír Rosenberg
Editor:
Maximilián Remeň
First Assistant Director:
Milan Zavřel
Jaroslav Rihák
Lead Costumer:
Zdenka Bočánková
Makeup Artist:
Jozef Škopek
Original Music Composer:
Svetozár Štúr
Production Design:
Anton Krajčovič
Production Manager:
Peter Drobka
Property Master:
Mikuláš Vida
Screenplay:
Milka Zimková
Štefan Uher
Script:
Ingrid Hodálová
Sound:
Milan K. Némethy
Unit Production Manager:
Ivan Janovský
Jozef Prochác
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.