A work in constant progress (and occasional regress).
Release Date:
February 21, 2015
Original Title:
Babysitter's Black Book
Alternate Titles:
A Vida Secreta das Babás
Babysitter's black book: Ragazze perdute
Conducta indecente
The Arrangement
Genres:
Drama | TV Movie
Production Companies:
Johnson Production Group
Shadowland
Production Countries:
Canada
Ratings / Certifications:
NL: 16 US: PG-13
Runtime: 88
When her parents' financial problems threaten Ashley's dreams for college, the high school whiz kid takes matters into her own hands. She and her girlfriends turn their babysitting business into a wildly successful escort service for dads. But in this small suburban community, nothing stays secret for long.
Art Direction:
Jackie Linke
Assistant Editor:
Jingyi Zhang
Best Boy Electric:
Kenneth Marc
Casting:
Lindsay Chag
Jeff Hardwick
Costume Design:
Anna Lloyd-Jones
Director:
Lee Friedlander
Director of Photography:
Pietro Zuercher
Editor:
Ely Mennin
Executive Producer:
Timothy O. Johnson
Michele Samit
Ronnie D. Clemmer
Gaffer:
Mike Stockton
Hairstylist:
Michelle Sfarzo
Key Hair Stylist:
Patrick Anthony Lising
Line Producer:
Marianne C. Wunch
Location Manager:
Sheila Ryan
Makeup Artist:
Michelle Sfarzo
Lauren Guzman
Music:
Russ Howard III
Picture Car Coordinator:
Glen Marzillo
Post Production Supervisor:
Griff Partington
Producer:
Robert Ballo
Ken Sanders
Production Accountant:
Sheri Reeves
Production Design:
Stephanie Hamilton
Production Sound Mixer:
Darryl Williams
Script Supervisor:
Katie Anderies
Set Costumer:
John C. Houston IV
Set Dressing Artist:
Sean Harvey
Sound Effects Editor:
Trevor Metz
Sound Re-Recording Mixer:
Andres Boulton
Still Photographer:
Charles Christopher
Writer:
Michele Samit
Richard Kletter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.