A work in constant progress (and occasional regress).
Release Date:
December 9, 1953
Original Title:
Ti ho sempre amato!
Alternate Titles:
Marquée par le destin
Genres:
Drama | Romance
Production Companies:
Rizzoli Film
Royal Film
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 92
A landowner loves a good girl, but is ensnared by another richer woman who is actually aiming for her fortune. This she will be able to temporarily make the two young men go away but the man makes his girlfriend understand that her is true love; he realizes that he has been the victim of a scam and will bring the woman he has always loved to the altar.
Assistant Editor:
Fernanda Materni
Camera Operator:
Sergio Bergamini
Conductor:
Franco Ferrara
Costume Design:
Marilù Carteny
Elio Costanzi
Director:
Mario Costa
Director of Photography:
Tonino Delli Colli
Editor:
Otello Colangeli
First Assistant Director:
Paolo Heusch
Alberto Albani Barbieri
Hairstylist:
Violetta Pacelli
Makeup Artist:
Andrea Riva
Original Music Composer:
Carlo Rustichelli
Producer:
Guido Giambartolomei
Carlo Salsano
Production Design:
Virgilio Marchi
Production Manager:
Jone Tuzi
Production Secretary:
Aldo Puccini
Screenplay:
Leonardo Benvenuti
Alessandro Ferraù
Alberto Albani Barbieri
Giuseppe Mangione
Script Supervisor:
Mario Tota
Set Decoration:
Ferdinando Ruffo
Sound:
Raffaele Del Monte
Paolo Pallottino
Special Effects:
Francesco Contardi
Still Photographer:
Max Hutzel
Theatre Play:
Enrico Ragusa
Unit Manager:
Emimmo Salvi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.