A work in constant progress (and occasional regress).
Release Date:
February 8, 2015
Original Title:
La casa más grande del mundo
Genres:
Drama
Production Countries:
Guatemala | Mexico
Ratings / Certifications:
N/A
Runtime: 76
Rocio, a Maya Mam girl, lives in the mountains with her mother, who is pregnant and her granny. Due to an early delivery from her mother, Rocio is stuck with caring for a herd of sheep, the first time she has done it on her own. Playing in the mountains she loses one of the sheep. Looking for it, she will lose the rest of the herd. In the midst of this tragedy, Rocio will have to face her innocence, conquer her fear of fog and learn that freedom entails responsibility. Nature will teach her that you do not have to defeat your fears, you just have to experience them. The Greatest House in the World is a story of children -which we all are- when facing fears, the unknown, the uncertain... the fog.
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Art Direction:
Lola Ovando
Assistant Director:
Álvaro Armas
Pablo Prieto Ladrón de Guevara
Casting:
Andrés Rodríguez
Álvaro Armas
Juan Pablo Díaz
Cinematography:
Álvaro Rodríguez S.
Co-Producer:
Bulmaro Osornio
Epigmenio Ibarra
Costume Design:
Gabriela Fernández
Director:
Lucía Carreras
Ana V. Bojorquez
Editor:
León Felipe González Sánchez
Makeup Department Head:
Malinalli Contreras
Music:
Pascual Reyes
Post-Production Manager:
Bulmaro Osornio
Producer:
Sandra Paredes
Jorge Ramírez Suárez
Marco Antonio Salgado
Ana V. Bojorquez
Production Manager:
Julieta Blázquez
Héctor Paredes
Property Master:
Martín Gutiérrez
Screenplay:
Ana V. Bojorquez
Edgar Sajcabun
Screenstory:
Edgar Sajcabun
Script Supervisor:
Ulises Pérez Mancilla
Sequence Supervisor:
Ulises Pérez Mancilla
Set Decoration:
Marlene Rodríguez
Sound Designer:
Samuel Larson
Sound Recordist:
Enrique Ojeda
Visual Effects Supervisor:
Alejandro Berea
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.