A work in constant progress (and occasional regress).
Release Date:
September 29, 2013
Original Title:
Deep Love
Genres:
Documentary
Production Companies:
HBO Polska
Otter Films
Production Countries:
Poland
Ratings / Certifications:
RO: 15
Runtime: 84
Janusz, a self-confident 60-year old, an incredibly active person and an accomplished diver, suffers a stroke which leaves him paralyzed. Rehabilitation and assistance of his partner Asia help him regain mobility and improve his functions. He is still struggling with speech and the only person who understands what he says is Asia who interprets him for the world. What keeps Janusz going and motivates to carry on is his big dream - he would like to dive again, despite major hazard for his health and life. His goal is to travel to beautiful but perilous Blue Hole in Dahab, Egypt which poses a challenge even to fit divers.
Assistant Editor:
Filip Drzewiecki
Assistant Production Manager:
Olga Wiśniewska-Kozłowska
Camera Operator:
Kacper Fertacz
Jacek Kędzierski
Director:
Jan P. Matuszyński
Director of Photography:
Kacper Fertacz
Editor:
Przemysław Chruścielewski
Executive Producer:
Hanka Kastelicová
Musician:
Atanas Valkov
Jakub Niedoborek
Jahiar Azim Irani
Paweł Zalewski
Marta Zalewska
Original Music Composer:
Atanas Valkov
Post-Production Manager:
Katarzyna Majewska
Producer:
Izabela Łopuch
Marta Łachacz
Anna Wydra
Production Manager:
Marta Łachacz
Anna Kuchta
Sound:
Marcin Lenarczyk
Franciszek Kozłowski
Translator:
Eliza Marków
Anna Górniak
Agnieszka Wąsowska-Telęga
Agnieszka Janowska
Underwater Director of Photography:
Roberto Rinaldi
Writer:
Jan P. Matuszyński
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.