A work in constant progress (and occasional regress).
Release Date:
December 31, 2015
Original Title:
Até Que a Sorte nos Separe 3: A Falência Final
Alternate Titles:
Até Que a Sorte nos Separe 3: A Falência Final
Genres:
Comedy
Production Companies:
Globo Filmes
Gullane Entretenimento
Miravista
Paris Entretenimento
RioFilme
Production Countries:
Brazil
Ratings / Certifications:
BR: 14
Runtime: 106
After waking from a coma, Tino learns his future in-laws have given him a high-powered financial job, for which he is woefully unqualified.
Art Direction:
Dany Espinelli
Associate Producer:
Carlos Diegues
Casting Producer:
Gabriela Guimarães
Co-Producer:
Sandi Adamiu
Marcio Fraccaroli
Costume Design:
Marcelo Pies
Dialogue Editor:
Victor Quintanilha
Director:
Roberto Santucci
Marcelo Antunez
Director of Photography:
Nonato Estrela
Editor:
Marcelo Antunez
Renato Martins
Leo Clark Ribeiro
Roberto Santucci
Executive Producer:
Gabriela Tocchio
Ana Saito
Caio Gullane
Fabiano Gullane
Rui Pires
First Assistant Director:
Rebeca Diniz
Foley Editor:
Victor Quintanilha
Hairstylist:
Marli Toledo
Original Music Composer:
Fael Mondego
Marco Tommaso
Fabio Mondego
Post Production Supervisor:
Patricia Nelly
Producer:
Débora Ivanov
Caio Gullane
Fabiano Gullane
Production Director:
Cacala Carvana
Second Assistant Director:
Leonardo Teatini
Sound:
Evandro Lima
Sound Editor:
Ricardo Cutz
Sound Mixer:
Ricardo Cutz
Third Assistant Director:
Eduardo Kropf
Visual Effects Supervisor:
Guilherme Ramalho
Writer:
Paulo Cursino
Writers' Assistant:
Leo Luz
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.