A work in constant progress (and occasional regress).
Release Date:
June 15, 1998
Original Title:
천년환생
Alternate Titles:
Cheonnyeon hwansaeng
The Cemetery Under the Moon
천년환생 - 월하의 공동묘지
Genres:
Horror | Mystery | Thriller
Production Companies:
Dong-a Export
Production Countries:
South Korea
Ratings / Certifications:
KR: 19
Runtime: 100
A howling cry fills the night air of the dark cemetery grounds. The moon illuminates the graves that line up the grounds. The howling continues when a ghost with blood flowing down her face and her hair flowing down her back smiles fiendishly. The ghost lets out a fiendish laugh and turns into a beautiful young girl. So-young was engaged to be married to Sang-cheol. But a wealthy businessman Han who wanted Sang-cheol as his son-in-law schemes to get rid of So-young. In the end, Han traps Sang-cheol into killing So-young and marries Ji-hye, Han's daughter. So-young leaves a letter for her younger brother Tae-ha asking him to pass his civil service exams and to avenge her death for her. She begins to help her brother with her supernatural abilities. The angry ghost of So-young begins a series of bloody revenges on Han and Sang-cheol.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.