A work in constant progress (and occasional regress).
Release Date:
October 10, 1991
Original Title:
The Taking of Beverly Hills
Alternate Titles:
Boomer - Überfall auf Hollywood
Boomer: The Taking of Beverly Hills
Genres:
Action
Production Companies:
Columbia Pictures
Nelson Entertainment
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 96
A chemical spill has caused the occupants of Beverly Hills to be forcibly evacuated. A retiring football player left behind, finds that the toxic gas emulating from the spill is a bogus front for a heist set up by fired police officers out to plunder the city of all its valuables. Finding himself siding with a corrupt cop who was once apart of the plan until he discovered the city's mayor had just been blown away, by one of the chief crooks in charge. Now both on the run with no help in sight...both must do whatever they can to stop these murderous looters.
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Additional Photography:
James L. Carter
Art Direction:
Neil Lamont
Camera Operator:
John Oteri
Casting:
Nina Axelrod
Co-Executive Producer:
Lloyd Bloom
Costume Design:
Betsy Cox
Director:
Sidney J. Furie
Director of Photography:
Frank E. Johnson
Editor:
Antony Gibbs
Executive Producer:
Rick Finkelstein
Barry Spikings
Key Hair Stylist:
Janet MacDonald
Key Makeup Artist:
Charles Porlier
Music:
Jan Hammer
Producer:
Graham Henderson
Production Design:
Peter Lamont
Screenplay:
David J. Burke
Rick Natkin
David Fuller
Set Decoration:
Michael Ford
Story:
David Fuller
Rick Natkin
Sidney J. Furie
Stunt Coordinator:
Jack Gill
Stunts:
Matt McColm
Erik Stabenau
Andy Gill
Noon Orsatti
Ernie F. Orsatti
Phil Culotta
Richard Epper
John Alden
Charlie Brewer
Clay Boss
Greg Gault
A. Michael Lerner
Terry Jackson
Spike Silver
Mike Ryan
Mark Stefanich
Cris Thomas-Palomino
Michael M. Vendrell
Mike Tillman
Title Designer:
Dan Perri
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.