A work in constant progress (and occasional regress).
Release Date:
October 13, 1961
Original Title:
Kde řeky mají slunce
Alternate Titles:
Nejkrásnější svět
Genres:
Drama
Production Companies:
Filmové studio Barrandov
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Runtime: 96
Based on a novel by Maria Majerova, this well-photographed but routine romantic drama is directed and co-scripted by Vaclav Krska. Set in a more old-fashioned time, the story centers around Lenka (Suzana Fisarskova), a young woman with a domineering, psychologically abusive father. When Lenka falls in love she suffers the ultimate injustice when her father and her family forbid her to marry the man. They see no advantage in such a union and want her to marry a wealthy local landowner instead, for obvious reasons. But Lenka is not as submissive as they think and she runs away to the city to look for the man she loves -- only to find a serious problem, though a surmountable one, is waiting for her.
Assistant Camera:
Emil Sirotek
Assistant Director:
Irena Vachatová
Sharad Pawar
Jan Němec
Assistant Production Manager:
Otto Renelt
Camera Operator:
Eduard Kadeřábek
Conductor:
Štěpán Koníček
Costume Design:
Fernand Vácha
Costumer:
Anna Beránková
Ondrej Brezovský
Creative Producer:
Vladimír Bor
Director:
Václav Krška
Director of Photography:
Josef Illík
Dramaturgy:
Věra Kalábová
A. J. Liehm
Editor:
Jan Kohout
Jarmila Müllerová
Executive Producer:
Jiří Šebor
First Assistant Director:
Miroslav Ondráček
Makeup & Hair:
František Čížek
Ladislav Bacílek
Marie Džbánková
Novel:
Marie Majerová
Original Music Composer:
Jarmil Burghauser
Production Design:
Bohuslav Kulič
Production Manager:
Antonín Bedřich
Screenplay:
Václav Krška
Jiří Cirkl
Set Decoration:
Ladislav Winkelhöfer
Jan Petrů
Jan Štrébl
Sound:
Milan Novotný
Miloslav Hulínský
Unit Production Manager:
Jiří Nekola
Jiří Ulrich
František Štěpánek
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.