A work in constant progress (and occasional regress).
Release Date:
November 19, 1975
Original Title:
The Human Factor
Alternate Titles:
La guerre des otages
Genres:
Action | Thriller
Production Companies:
Avianca Productions Ltd.
Eton
Production Countries:
Italy | United Kingdom | United States of America
Ratings / Certifications:
DE: 16 US: R
Runtime: 95
After his family is brutally murdered for an unknown reason, a computer engineer sets out to find those responsible.
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Art Direction:
Peter Mullins
Assistant Director:
Ray Frift
Fernando C. Bozzo Monaco
Assistant Sound Editor:
Jeremy Hume
Associate Producer:
Peter R. Inwards
Camera Operator:
Peter Ewens
Conductor:
Ennio Morricone
Director:
Edward Dmytryk
Director of Photography:
Ousama Rawi
Editor:
Alan Strachan
Executive Producer:
Terry Lens
First Assistant Camera:
Stephen Smith
Makeup Artist:
Giovani Tarni
Paul Rabiger
Original Music Composer:
Ennio Morricone
Producer:
Frank Avianca
Louis Peraino
Production Assistant:
Lorraine Fennell
Production Controller:
George Davis
Production Coordinator:
Lorraine Fennell
Production Manager:
Mario Pisani
Roy Parkinson
Projection:
Charles Staffell
Property Master:
Dave Jordan
Second Assistant Camera:
Barry Brown
Sound Editor:
Jonathan Bates
Sound Recordist:
Ken Barker
Roy Charman
Special Effects:
Giovani Didorto
Les Bowie
Stunt Coordinator:
Joe Dunne
Wardrobe Supervisor:
Anna Maria Feo
Tiny Nicholls
Writer:
Thomas Hunter
Peter Powell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.