A work in constant progress (and occasional regress).
Release Date:
September 10, 1991
Original Title:
Year of the Gun
Alternate Titles:
Brigadas Vermelhas
El año de las armas
L'anno del terrore
O Ano da Fúria
Verliebt in die Gefahr
Year of the Gun - Im Visier des Terrors
Year of the Gun - L'année de plomb
喋路狂奔 之枪的年代
Genres:
Action | Romance | Thriller
Production Companies:
Initial Films
J&M Entertainment
Shomedia
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 FR: U
Runtime: 111
American novelist David Raybourne accidentally becomes entangled in the Red Brigade's terrorist plan to kidnap Italian Premier Aldo Moro during a research trip to Rome. As the terrorists attempt to kill David, he and his photojournalist friend must struggle to stay alive.
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ADR Mixer:
Robert Deschaine
ADR Recordist:
David Jobe
ADR Voice Casting:
Barbara Harris
Art Direction:
Luigi Quintili
Assistant Camera:
Maurizio Serafini
Roberto Gengarelli
Fabio Lanciotti
Bernard De Vries
Assistant Costume Designer:
Ingrid Mignone
Assistant Editor:
Sheila MacDowell
Rebecca Nicolaou
Assistant Sound Editor:
Patrick Paul Mullane
Robert L. Sephton
Britton E. Taylor
Boom Operator:
Pascal D'Hueppe
Camera Operator:
David Crone
Carlo Passari
Casting:
Louis DiGiaimo
Francesco Cinieri
Chief Lighting Technician:
Neno Brescini
Color Timer:
Phil Hetos
Costume Design:
Ray Summers
Craft Service:
Giovanni Longo
Director:
John Frankenheimer
Director of Photography:
Blasco Giurato
Draughtsman:
Giulia Chiara Crugnola
Editor:
Lee Percy
Executive In Charge Of Production:
Alfred Pariser
Executive Producer:
Eric Fellner
First Assistant Director:
Tony Brandt
Foley Artist:
Paul Heslin
John Post
Foley Mixer:
Robert Deschaine
Foley Recordist:
David Jobe
Grip:
Vittorio D'Ammassa
Sergio Conti
Doriano Torriero
Hairstylist:
Aldo Signoretti
Marina Marin
Key Grip:
Giuseppe Petrignani
Key Makeup Artist:
Mario Michisanti
Lighting Technician:
Francesco Brescini
Giuseppe Sgarra
Line Producer:
Robert L. Rosen
Location Manager:
Fabiomassimo Dell'Orco
Makeup Artist:
Mario Michisanti
Vincenzo Mastrantonio
Maurizio Fazzini
Music Editor:
Chris McGeary
Ken Johnson
Steve Livingston
Negative Cutter:
Gary Burritt
Novel:
Michael Mewshaw
Orchestrator:
Jack Eskew
Original Music Composer:
Bill Conti
Payroll Accountant:
Franco Penna
Post Production Supervisor:
Gregory A. Gale
Producer:
Edward R. Pressman
Production Coordinator:
Judith Goodman
Production Design:
Aurelio Crugnola
Production Secretary:
Cecilia Alvarenga
Property Master:
Elio Altamura
Props:
Alessandro Tempera
Screenplay:
David Ambrose
Script Supervisor:
Rachel Griffiths
Seamstress:
Franca Paoletti
Simona Mattei
Second Assistant Director:
Francesca Fuschini
Giandomenico Trillo
Set Decoration:
Franco Fumagalli
Set Dresser:
Emilia Burchiellaro
Massimiliano Paonessa
Valerio Musy
Roberto De Simoni
Sound Editor:
Karola Storr
Paul Heslin
Donlee Jorgensen
Sound Mixer:
Bernard Bats
Sound Re-Recording Mixer:
Grover B. Helsley
Matthew Iadarola
John Wilkinson
Sound Recordist:
Brion Paccassi
Bernard Bats
Special Effects:
Grant Burdette
Still Photographer:
Paul Ronald
Stunt Coordinator:
Franco Maria Salamon
Stunts:
Benito Pacifico
Emilia Castiglionesi
Francesco Petrazzi
Omero Capanna
Lorenzo Saraceno
Alessandro Ponti
Claudio Zucchet
Claudio Pacifico
Ivano Silveri
Massimiliano Ubaldi
Enzo Maggio
Franco Moruzzi
Gino Marturano
Marco Stefanelli
Mario Novelli
Emiliano Novelli
Rocco Russo
Stefano Corsi
Manrico Vendetti
Riccardo Mioni
Sergio Smacchi
Fabiola Tocca
Giovanni Cianfriglia
Stefano Maria Mioni
Paolo Susani
Franco Beltramme
Miso Angelo Marturano
Danilo Recanatesi
Gianluca Petrazzi
Giovanna Ciacchi
Supervising Sound Editor:
Mike Le Mare
Unit Production Manager:
Laura Fattori
Unit Publicist:
Eugene Rizzo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.