Mr. Wonderful (1993) [PG-13]

Release Date:
October 15, 1993

Original Title:
Mr. Wonderful

Genres:
Comedy | Romance

Production Companies:
Night Life Inc.
The Samuel Goldwyn Company
Warner Bros. Pictures

Production Countries:
United States of America

Ratings / Certifications:
GB: 12  US: PG-13 

Runtime: 98

Sometimes love is a stranger. And sometimes it's someone you've known all your life.

Electrician Gus gets the chance to fulfil a childhood dream by buying an old bowling-alley with some of his friends, but first he must find his ex-wife a new husband so he can stop paying alimony.

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ADR Editor:
Craig A. Dellinger
Sue Fox

Art Department Coordinator:
Miriam Schapiro

Art Direction:
Steve Saklad

Assistant Costume Designer:
Kathleen Gerlach

Camera Operator:
Ken Ferris

Casting:
David Rubin
Debra Zane

Construction Coordinator:
Nick Miller

Costume Design:
John Dunn

Dialogue Editor:
Clare C. Freeman

Director:
Anthony Minghella

Director of Photography:
Geoffrey Simpson

Editor:
John Tintori

First Assistant Camera:
Eric Swanek

First Assistant Editor:
Jolie Gorchov
Kate Sanford

Foley Artist:
Margie O'Malley
Jennifer Myers

Gaffer:
Morris Flam

Key Hair Stylist:
Aaron F. Quarles

Makeup Artist:
Bernadette Mazur

Music Editor:
Jeff Carson

Original Music Composer:
Michael Gore

Producer:
Marianne Moloney

Production Design:
Doug Kraner

Property Master:
Robert Griffon Jr.

Script Supervisor:
Dianne Dreyer

Set Decoration:
Alyssa Winter

Sound Effects Editor:
James Lebrecht

Sound Re-Recording Mixer:
David Parker

Special Effects Coordinator:
Steven Kirshoff

Still Photographer:
John Clifford

Supervising Sound Editor:
Douglas Murray

Title Designer:
Dan Perri

Writer:
Amy Schor
Vicki Polon

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.