A work in constant progress (and occasional regress).
Release Date:
January 22, 2014
Original Title:
Zwei Museen
Alternate Titles:
Zwei Museen
Genres:
Documentary
Production Companies:
Filmgalerie 451
Production Countries:
Israel | United States of America
Ratings / Certifications:
N/A
Runtime: 17
The film juxtaposes/compares two museums: The Museum of Art, Ein Harod, Israel, which Samuel Bickels (1909-1975) built there in 1948, and The Menil Collection in Houston, Texas, built by Renzo Piano (b. 1937) 1986 . The method of natural lighting in Bickelsās construction was the direct model for Piano, who adopted for his construction at the request of its patroness Dominique de Menil.
Camera Operator:
Till Beckmann
Heinz Emigholz
Director:
Heinz Emigholz
Post Production Supervisor:
Till Beckmann
Producer:
Irene von Alberti
Frieder Schlaich
Sound Designer:
Jochen Jezussek
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.