A work in constant progress (and occasional regress).
Featuring:
Ashok Kumar, Mala Sinha, Raaj Kumar
Written by:
N.S. Bedi
Nihar Ranjan Gupta
Rajendra Krishan
Directed by:
C.V. Sridhar
Release Date:
January 1, 1967
Original Title:
Nai Roshni
Genres:
Drama | Family
Production Countries:
India
Ratings / Certifications:
N/A
The film is a social drama, with its plot around university professor Dr. Kumar (Ashok Kumar), who lives with his wife Padma (Bhanumati), his drunkard son Jyoti (Raaj Kumar), outgoing daughter Chitra (Tanuja) and his friend's daughter Rekha (Mala Sinha). Dr. Kumar and his wife have a different outlook towards life, with him preferring books and philosophy, while his wife Padma prefers social gatherings and society clubs. Padma never considered Jyoti her son, who works as a mill designer, a profession she considers too poor to acknowledge. Chitra is encouraged by her mother to mingle freely in high society, much to the disappointment of her worried father.
Professor Kumar lives a wealthy life with his wife, a son, Jyoti, and two daughters, Rekha and Chitra. His son is addicted to alcohol and stays away from home, often returning late at night or not at all. Rekha is traditional, orthodox, and is willing to marry the man of her father's choice. Chitra, on the other hand is the opposite, extrovert, outgoing, and having an affair with a Judge's son, Ramesh. Chitra soon finds out that Ramesh is an alcoholic, and a womanizer, but she would still like him to marry her, as she is expecting his child. Then a young man, Prakash, finds out that Prof. Kumar had an affair with his mother, Parvati, and abandoned her in a pregnant state, when he found out that she was going to lose her vision. Prakash now wants to expose this two-faced professor, and get some justice for his mother. Faced with a scandal over his pregnant daughter, will Kumar be able to handle Prakash's accusations?
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.