A work in constant progress (and occasional regress).
Release Date:
February 15, 1978
Original Title:
Coming Home
Alternate Titles:
Amargo Regresso
El regreso
Le retour
Sie kehren heim
Tornando a casa
帰郷
Genres:
Drama | Romance | War
Production Companies:
Jayne Productions Inc
Jerome Hellman Productions
United Artists
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 FR: U IT: VM14 NL: 12 US: R
Runtime: 127
In 1968 California, a Marine officer's wife falls in love with a former high school classmate who suffered a paralyzing combat injury in the war.
2002 #78 |
100 Years: 100 PASSIONS
100 Greatest Love Stories Of All Time |
Additional Casting:
Sally Dennison
Assistant Art Director:
James L. Schoppe
Associate Producer:
Bruce Gilbert
Boom Operator:
Pat Suraci
Camera Operator:
Donald E. Thorin
Casting:
Lynn Stalmaster
Costume Design:
Ann Roth
Director:
Hal Ashby
Director of Photography:
Haskell Wexler
Editor:
Don Zimmerman
First Assistant Camera:
Craig Denault
First Assistant Director:
Charles Myers
Gaffer:
Gary Holt
Hairstylist:
Lynda Gurasich
Key Grip:
Clyde Hart
Location Manager:
Spencer Quinn
Makeup Artist:
Gary Liddiard
Music Editor:
George Brand
Producer:
Jerome Hellman
Production Accountant:
Ken Ryan
Production Design:
Michael D. Haller
Production Manager:
Charles Mulvehill
Property Master:
Alan Levine
Screenplay:
Waldo Salt
Robert C. Jones
Script Supervisor:
June Samson
Second Assistant Camera:
Richard A. Mention
Second Assistant Director:
Jim Bloom
Set Decoration:
George Gaines
Sound Editor:
Frank E. Warner
Sound Mixer:
Jeff Wexler
Sound Re-Recording Mixer:
Robert 'Buzz' Knudson
Still Photographer:
Sidney Ray Baldwin
Story:
Nancy Dowd
Technical Advisor:
Michael Jacobs
Title Designer:
Dan Perri
Unit Publicist:
Michael Maslansky
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.