A work in constant progress (and occasional regress).
Release Date:
June 28, 2000
Original Title:
Trixie
Genres:
Action | Comedy | Mystery | Thriller
Production Companies:
Sandcastle 5
Production Countries:
United States of America
Ratings / Certifications:
AU: MA 15+ DE: 12 US: R
Runtime: 116
Passed over at work and numbed after she witnesses a colleague's murder, security guard Trixie Zurbo takes a relatively easy job at a lakefront casino, working undercover keeping an eye out for pickpockets. Trixie meets an assortment of colorful regulars: Kirk Stans, the casino's lounge act who drinks too much and is a dead-on mimic; Ruby Pearli , a glamorous, young and knowledgeable barfly; and Dex Lang, a raffish ladies' man who pays attention to Trixie in a way that's hard for her to ignore.
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Art Direction:
Barbara Wilson
Assistant Director Trainee:
Ali Salamati
Assistant Hairstylist:
Gerald Gibbons
Assistant Makeup Artist:
Shannon Coppin
Casting:
Pam Dixon
Co-Producer:
Joseph Patrick Finn
Costume Design:
Monique Prudhomme
Director:
Alan Rudolph
Director of Photography:
Jan Kiesser
Editor:
John Helde
Michael Ruscio
Executive Producer:
James McLindon
First Assistant Director:
Allan Harmon
Hairstylist:
Roy Sidick
Key Makeup Artist:
Jayne Dancose
Original Music Composer:
Roger Neill
Mark Isham
Post Production Supervisor:
Steve Barnett
Producer:
Robert Altman
Production Design:
Richard Paris
Linda Del Rosario
Screenplay:
Alan Rudolph
Second Assistant Director:
Jennifer Graham
Set Decoration:
Brian Kane
Special Effects Makeup Artist:
Toby Lindala
Story:
Alan Rudolph
John Binder
Stunt Coordinator:
J.J. Makaro
Stunts:
Corry Glass
Third Assistant Director:
Melissa Lee Anderson
Unit Production Manager:
Joseph Patrick Finn
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.