The Knights of the Round Bed (1973) [N/A]

Release Date:
March 22, 1973

Original Title:
Los caballeros de la cama redonda

Genres:
Comedy

Production Companies:
Aries Cinematográfica Argentina

Production Countries:
Argentina

Ratings / Certifications:
AR: 16 

Runtime: 103

Alberto, Jorge, Ricardo and Tristan are employees of a shoe store, all are married and share the friendship also between their wives. The 4 friends, faithful to the rogue style of Buenos Aires, go out of their way to have love affairs with the beautiful customers of the shoe store, and for that purpose one day they decide to rent, secretly, an apartment to use as a "bulín". The problems begin from then on, as everyone wants to be the first to release it and then, successively, take turns for their adventures. As is to be expected, it does not take long for the first entanglements to appear, while their wives seem to begin to suspect the adventures of these four typical Buenos Aires chantas.

Additional information:

The Search Form


Art Direction:
Óscar Piruzanto

Assistant Camera:
Alfredo Cosentino

Assistant Costume Designer:
Alberto Wiernicki

Assistant Editor:
Eduardo López
Margarita Brondolo

Assistant Sound Designer:
Daniel Castronuovo

Associate Producer:
Mario Kaminsky

Camera Car:
Marcelo Pais

Cinematography:
Américo Hoss

Director:
Gerardo Sofovich

Editor:
Óscar Montauti

Electrician:
Miguel Amengual

Executive Producer:
Luis Osvaldo Repetto
Nicolás Carreras

Hair Designer:
Nélida Aued

Makeup Artist:
Blanca Olavego

Music:
Jorge López Ruiz
Oscar López Ruiz

Producer:
Gerardo Sofovich
Hugo Sofovich

Producer's Assistant:
Alejandro Arango
Luis Fernández

Production Manager:
Fernando Molina

Set Decoration:
Francisco Mascareño

Set Designer:
Óscar Piruzanto

Sound:
Norberto Castronuovo

Still Photographer:
Alfredo Suárez

Writer:
Gerardo Sofovich
Hugo Sofovich

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.