A work in constant progress (and occasional regress).
Release Date:
August 8, 1965
Original Title:
フランケンシュタイン対地底怪獣
Alternate Titles:
Frankenstein Conquers the World
Frankenstein gegen Baragon
Frankenstein vs. the Subterranean Monster
Frankenstein vs. Baragon
Frankenstein vs. Subterranean Monster Baragon
Frankenstein vs. the Giant Devilfish
Furankenshutain tai Baragon
Furankenshutain tai Chitei Kaijū Baragon
Φρανκενστάιν Εναντίον Δεινοσαύρου
フランケンシュタイン対地底怪獣 バラゴン
フランケンシュタイン対地底怪獣(バラゴン)
Genres:
Horror | Science Fiction
Production Companies:
Henry G. Saperstein Enterprises Inc.
TOHO
Production Countries:
Japan
Ratings / Certifications:
N/A
Runtime: 90
During WWII, Germans obtain the immortal heart of Frankenstein's monster and transport it to Japan to prevent it being seized by the Allies. Kept in a Hiroshima laboratory, it is seeming lost when the United States destroys the city with the atomic bomb. Years later a wild boy is discovered wandering the streets of the city alone, born of the immortal heart.
Art Direction:
Takeo Kita
Assistant Director:
Koji Kajita
Characters:
Mary Shelley
Director:
Ishirō Honda
Director of Photography:
Hajime Koizumi
Editor:
Ryôhei Fujii
Executive Producer:
Henry G. Saperstein
Reuben Bercovitch
Samuel Z. Arkoff
Tomoyuki Tanaka
Lighting Technician:
Kuichirô Kishida
Seishichi Kojima
Makeup Artist:
Riki Konna
Novel:
Jerry Sohl
Original Music Composer:
Akira Ifukube
Original Story:
Reuben Bercovitch
Production Design:
Takeo Kita
Production Manager:
Yorihiko Yamada
Screenplay:
Takeshi Kimura
Sound Effects:
Sadamasa Nishimoto
Sound Mixer:
Hisashi Shimonaga
Sound Recordist:
Wataru Onuma
Special Effects:
Eiji Tsuburaya
Teruyoshi Nakano
Translator:
Heihachirō Ōkawa
Visual Effects:
Teruyoshi Nakano
Yukio Manoda
Yoshiyuki Tokumasa
Visual Effects Art Director:
Akira Watanabe
Visual Effects Camera:
Motoyoshi Tomioka
Sadamasa Arikawa
Visual Effects Compositor:
Hiroshi Mukoyama
Visual Effects Director:
Eiji Tsuburaya
Visual Effects Production Manager:
Choji Koike
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.