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Narrow Margin (1990) [R]

Release Date:
September 21, 1990

Original Title:
Narrow Margin

Alternate Titles:
千里追杀
惊劫梨花
拦截目击者

Genres:
Action | Crime | Mystery | Thriller

Production Companies:
Carolco Pictures

Production Countries:
United States of America

Ratings / Certifications:
DE: 16  FR: U  JP: R18+  SE: 15  US: R 

Runtime: 97

It will take you to the edge of suspense.

Overview from TheMovieDB

An L.A. District Attorney attempts to take an unwilling murder witness back to the United States to testify against a top-level mob boss. Frantically attempting to escape two deadly hitmen sent to silence her, they board a Vancouver-bound train only to discover that the killers are onboard with them. For the next 20 hours, as the train hurls through the beautiful but isolated Canadian wilderness, a deadly game of cat and mouse ensues in which their ability to tell friend from foe is a matter of life and death.

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Additional information:

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Trailer

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Performers

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Production

Art Direction:
Eric W. Orbom
Kim Mooney

Assistant Accountant:
Judith French

Assistant Production Coordinator:
Yvonne Melville

Assistant Property Master:
Phil Gough

Assistant Sound Editor:
Karen Baker Landers
Per Hallberg

Associate Producer:
Mary Eilts

Best Boy Grip:
Robin Jobin

Boom Operator:
Don Brown

Camera Operator:
Ralph Gerling

Camera Trainee:
Adam Sliwinski

Casting:
Lynne Carrow

Chief Lighting Technician:
Les Erskine

Co-Producer:
Jerry Offsay

Color Timer:
Bob Kaiser

Construction Foreman:
Michael Rennison

Costume Designer:
Ellen Mirojnick

Costumer:
Jerry R. Allen
Dolores Burke

Director:
Peter Hyams

Director of Photography:
Peter Hyams

Dolby Consultant:
Douglas Greenfield

Dolly Grip:
Rick Stadder

Editor:
James Mitchell

Executive Producer:
Mario Kassar
Andrew G. Vajna

Extras Casting:
James Forsyth

First Assistant Camera:
Steve Peterson

First Assistant Director:
Jack Frost Sanders

First Assistant Editor:
Beverly Pinnas

Foley Artist:
Dan O'Connell
Gary A. Hecker

Foley Mixer:
Doc Kane

Grip:
John Hyams

Hairstylist:
Leslie Ann Anderson
Roy Sidick

Head Greensman:
Gary Brooks

Key Grip:
Nick Kuchera

Location Manager:
James Sallis

Makeup Artist:
Pat Gerhardt
Margaret Solomon

Music:
Bruce Broughton

Music Editor:
Curt Sobel

Negative Cutter:
Donah Bassett

Orchestrator:
Mark McKenzie
Don Nemitz

Original Story:
Martin Goldsmith
Jack Leonard

Producer:
Jonathan A. Zimbert

Production Accountant:
Don Orlando

Production Assistant:
Adam Druxman

Production Design:
Joel Schiller

Production Office Coordinator:
Penny Gibbs

Production Sound Mixer:
Ralph Parker

Property Master:
Wayne McLaughlin

Rigging Gaffer:
Dale Garrison

Scoring Mixer:
Armin Steiner

Screenplay:
Earl Felton

Script Supervisor:
Lara Fox

Second Assistant Camera:
Pat Williams

Second Assistant Director:
Robert Lee

Set Decoration:
Kim MacKenzie

Sound Editor:
Neal Burger
Dan M. Rich
Kevin Hearst
Scott Martin Gershin

Sound Re-Recording Mixer:
Michael J. Kohut
Bill W. Benton
Carlos Delarios

Sound Recordist:
John Brilhante
Dan Sharp

Special Effects Assistant:
Kevin Quibell
Roger Lifsey
Guy Faria
Steve Wolke

Special Effects Coordinator:
Stan Parks

Steadicam Operator:
Nathaniel Massey

Still Photographer:
Jack Rowand

Stunt Coordinator:
Glenn R. Wilder
Scott Wilder

Stunt Double:
Melissa R. Stubbs

Stunts:
Doc Duhame
Denny Arnold
Lon Katzman
Gar Stephen
Curtis Lupo
Amy Stephen Wilder
Scott Nicholson

Supervising Art Director:
David Willson

Supervising Sound Editor:
Tom Bellfort
Wylie Stateman

Third Assistant Director:
Lisa Weinstein

Transportation Captain:
Fred Moroz

Transportation Coordinator:
Alois Stranan

Unit Production Manager:
Mary Eilts

Unit Publicist:
Brigitte Prochaska

Video Assist Operator:
Dan Moore

Writer:
Peter Hyams

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.