A work in constant progress (and occasional regress).
Featuring:
Song Kang-ho, Yoo Ah-in, Moon Geun-young
Written by:
Cheol-Hyeon Jo
Song-won Lee
Sung Hyeon Oh
Directed by:
Lee Joon-ik
Release Date:
September 16, 2015
Original Title:
사도
Alternate Titles:
Sa-do
The Throne (2015)
The Throne 사도 (2015)
Genres:
Drama | History
Production Companies:
Tiger Pictures
Production Countries:
South Korea
Ratings / Certifications:
JP: G KR: 12
Runtime: 126
Ancient Korea, July 4, 1762. The Crown Prince Hyojang, posthumously named Sado, son of King Yeongjo of Joseon, is accused of treason. Thus, the king asks him to commit suicide, but his closest vassals prevent it, so the king orders the prince to get inside a wooden rice chest, where he suffers deprivation of food and water.
Over a period of eight days, an 18th-century Korean king punishes his only son for attempted regicide. Flashbacks reveal the chain of events that led the son to rebel against his father in this tale of the strained relationships that exist between all fathers (who want their sons to grow into fine and competent men) and their sons (who struggle to prove themselves in order to earn their fathers' respect and approval).
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ADR Recordist:
Kim Byung-in
Assistant Director:
Bae Tae-jong
Boom Operator:
Kim Mi-mi
Camera Operator:
Park Sung-ju
Costume Design:
Lee Ji-yeon
Shim Hyun-seob
Digital Intermediate:
Park Jin-young
Director:
Lee Joon-ik
Director of Photography:
Kim Tae-kyeong
Editor:
Kim Jae-beom
Kim Sang-bum
Key Grip:
Ji Sung-yong
Lighting Director:
Hong Seung-chul
Makeup & Hair:
Cho Tae-hee
Original Music Composer:
Bang Jun-seok
Producer:
O Seung-hyeon
Seong Chang-yeon
Production Design:
Kang Seung-yong
Production Sound Mixer:
Jung Jin-wook
Props:
Kim Yun-suk
Sound:
Choi Tae-young
Sound Designer:
Gang Hye-yeong
Special Effects Makeup Artist:
Yoon Hwang-jik
Special Effects Supervisor:
Park Dae-hun
Still Photographer:
Jeon Young-wook
Storyboard:
Lee Yoon-ho
VFX Artist:
Lee Byeong-ju
VFX Supervisor:
Jung Hwang-soo
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.