A work in constant progress (and occasional regress).
Featuring:
Julio Citarella, Débora Dejtiar, Santiago Gobernori
Written by:
Laura Citarella
Directed by:
Laura Citarella
Release Date:
April 1, 2011
Original Title:
Ostende
Genres:
Drama | Mystery
Production Companies:
El Pampero Cine
Production Countries:
Argentina
Ratings / Certifications:
N/A
Runtime: 85
Waiting alone for her boyfriend at a hotel, a woman starts paying attention to the mysterious behavior of some guests.
Thanks to a radio contest, a girl wins a four-day vacation in a huge hotel in Ostende, in the Buenos Aires province. It's the low season. In this place with no obligations or big attractions, the girl starts to pay attention -maybe too much, maybe not enough- to some strange attitudes of an old man, accompanied by two young women. Her boyfriend arrives, and he interrupts like a representative of the outside world, that same world she has been slowly distancing from in just couple of days to enter with pleasure -with the adrenaline of curiosity- into this beach-set, intriguing micro-cosmos that might be filled with stories she doesn't know. Laura Citarella shows in her debut film that she does know stories, and that's why she flirts with Hitchcock and Rohmer from a feminine, light, and graceful perspective.
Director:
Laura Citarella
Director of Photography:
Agustín Mendilaharzu
Editor:
Alejo Moguillansky
Music:
Gabriel Chwojnik
Writer:
Laura Citarella
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.