A work in constant progress (and occasional regress).
Release Date:
January 1, 1982
Original Title:
Deadline
Alternate Titles:
..DEADLINE..
Bis zur letzten Sekunde
Genres:
TV Movie | Thriller
Production Companies:
Hanna-Barbera Australia
New South Wales Film Corp.
Nine Network Australia
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 94
A journalist sets out to report on a minor earthquake in the Australian outback, and finds that the tremor was a result of a small nuclear explosion - part of an extortion threat that has the government fearing nuclear blackmail. With the help of local reporters, and despite the harassment of the security agencies, he sets out to avert the crisis.
Art Department Assistant:
Linda Bates
Assistant Art Director:
David Bowden
Assistant Editor:
Frans Vandenburg
Assistant Sound Editor:
Ashley Grenville
Best Boy Grip:
Gordon Nutt
Boom Operator:
Jack Friedmann
Carpenter:
Bob Paton
Catering:
John Faithful
Cinematography:
David Gribble
Clapper Loader:
Stuart Guin
Conductor:
Brian May
Construction Manager:
Brian Hocking
Continuity:
Caroline Stanton
Director:
Arch Nicholson
Editor:
David Huggett
First Assistant Director:
Charles Rotherham
Focus Puller:
Peter Menzies
Gaffer:
Miles Moulson
Grip:
Grahame Litchfield
Makeup & Hair:
Sally Gordon
Music:
Brian May
Producer:
Hal McElroy
Producer's Assistant:
Fiona McConaghy
Production Accountant:
Elaine Crowther
Production Design:
Larry Eastwood
Production Secretary:
Jaana Ropponen
Production Supervisor:
Peter Appleton
Screenplay:
Walter Halsey Davis
Second Assistant Director:
John Warran
Sound Editor:
Andrew Steuart
Sound Mixer:
Julian Ellingworth
Sound Recordist:
Tim D. Lloyd
Special Effects:
Alan Maxwell
Standby Property Master:
Karan Monkhouse
Still Photographer:
Bob Mooreheadh
Story:
Walter Halsey Davis
Stunt Coordinator:
Max Aspin
Stunts:
Bob Hicks
Dale Aspin
Third Assistant Director:
David Trethewey
Wardrobe Assistant:
Catriona Brown
Wardrobe Designer:
Camilla Rountree
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.