A work in constant progress (and occasional regress).
Release Date:
July 10, 2007
Original Title:
Die Sandra Situation
Alternate Titles:
The Sandra Situation
Genres:
Comedy | Romance
Production Companies:
BellaCoola Multimedia
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 15
Paul, shy, and not exactly what one would call a ladies man, checks his answering machine and gets a surprise message from a woman named Sandra. Great, except that he knows three Sandras: one he'd love to hear from, one he'd hate to hear from and a third he'd never expect to call him. Paul desperately wants to find out who is the woman who called and enlists the help of his close friend, who is a ladies man. Marc, though very busy himself and eager to pursue his business, agrees to help. And so begins an urgent investigation. Nothing ventured, nothing gained.
Assistant Director:
Patrick Poch
Best Boy Electric:
Jannis Tsangonis
Boom Operator:
Martin Klöckner
Camera Technician:
Sascha Ersfeld
Casting:
An Dorthe Braker
Costume Design:
Ulrike Vierboom
Director:
Käthe Niemeyer
Director of Photography:
Bernhard Wagner
Driver:
Volker Schwarz
Editor:
Stefan Röttger
Executive Producer:
Jörg Vincent Malotki
Gaffer:
Philipp Schmitz
Alexander Kreis
Grip:
Elmar Schmidt
Line Producer:
Ariane Müller
Location Manager:
Maike Bitter
Location Scout:
Nicque Derenbach
Makeup Artist:
Sonja Fischer
Producer:
Ingo BellaCoola Hamacher
Jörg Vincent Malotki
Production Design:
Doris Maile
Production Office Assistant:
Mirko Schaal
Caroline Hackenbracht
Burckhard Weiss
Holger Pest
Prop Maker:
Lokmani Oelma
Script Supervisor:
Silke Christina Engler
Set Decoration:
Tim Pannen
Sound Designer:
André Lenich
Sound Mixer:
Sylvain Remy
Sound Recordist:
Sylvain Remy
Sound mixer:
Frank Maraite
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.