A work in constant progress (and occasional regress).
Release Date:
October 13, 1996
Original Title:
Lyddie
Genres:
Drama | Family | History
Production Companies:
Minds Eye Entertainment
The Film Works
Wall to Wall
Production Countries:
Canada | United Kingdom
Ratings / Certifications:
N/A
Runtime: 91
Lyddie (Tanya Allen) faces a daunting task: She's struggling to reunite her family and save their farm. To do that, she takes a job at a cotton mill and, with the help of Diana (who's toiled in the mills since age 10), learns that there are risks involved with being a factory girl -- namely, dangerous working conditions and low wages. Soon, Lyddie finds herself in the forefront of a suffrage movement to better those appalling conditions.
Art Direction:
Dean A. O'Dell
Assistant Makeup Artist:
Jessica Heeren
Assistant Production Manager:
Bill Imperial
Assistant Property Master:
Jay Robertson
Boom Operator:
Bob Holbrook
Craft Service:
Christopher Pottruff
Director:
Stefan Scaini
Director of Photography:
Michael Storey
Editor:
Ralph Brunjes
Executive Producer:
Victor Solnicki
Kevin DeWalt
Hair Designer:
Barbara J. Wozniak
Makeup Department Head:
Tracy George
Music:
Mark Korven
Novel:
Katherine Paterson
Orchestrator:
Christopher Dedrick
Payroll Accountant:
Sheila Goodman
Producer:
Alex Graham
Eric Jordan
Production Accountant:
Kenneth Mancebo
Production Artist:
Paul Sarony
Production Assistant:
Jo Weiss
Production Design:
David Ferguson
Production Manager:
Deb LeFaive
Production Sound Mixer:
Stuart French
Property Master:
Nick Thomas
Set Dresser:
Roger Roscoe
Sound Editor:
Rob Bryanton
Warren St. Onge
Sound Effects Editor:
Steve Hasiak
Story Editor:
Maureen Dorey
Writer:
Maggie Wadey
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.