A work in constant progress (and occasional regress).
Featuring:
Akiko Tomonari, Kazuhiro Sano, Kanako Kishi
Written by:
Kazuhiro Sano
Directed by:
Kazuhiro Sano
Release Date:
January 1, 1992
Original Title:
痴漢わいせつ覗き
Alternate Titles:
Chikan waisetsu nozoki
Genres:
Comedy | Drama
Production Companies:
Kokuei Company
Production Countries:
Japan
Ratings / Certifications:
N/A
Runtime: 55
One of the notable directors of Japan's "pink films," Kazuhiro Sano helms and stars in this erotic thriller in which an isolated resort lures a host of individuals looking to fulfill their desires and sexual fantasies. Packed with extras, the video includes an interview with Sano, bios and filmographies of the cast and crew and a feature-length commentary with writer Jasper Sharp.
Known as, 'Molester Obscene Peeping', for it's 'pink' cinema release, this is a really fun film. The prerequisite sex stops are here at roughly 10 minutes intervals but you get plenty more than that even though this comes in at less than one hour. A storming start sees a hip Tokyo couple heading off for the countryside. There is clearly much more of a gap between city folk and country folk in Japan because here the couple visited would pass for completely crazy. Mind you they can still manage pretty explicit sex with the cucumber gift thoughtfully provided by the young visitors. The director plays the lead cool guy and the 'refugee',a homeless vagabond freely laid into by all and sundry. Back in Tokyo they manage to lead the mentally challenged son of the country couple,astray, by which time we have had sex, drugs and rock 'n' roll aplenty.
Assistant Director:
Atsushi Yamamura
Director:
Kazuhiro Sano
Director of Photography:
Kōichi Saitō
Editor:
Shōji Sakai
Gaffer:
Rocky Fujimaru
Original Music Composer:
Takayoshi Tômatsu
Producer:
Daisuke Asakura
Writer:
Kazuhiro Sano
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.