A work in constant progress (and occasional regress).
Release Date:
October 6, 2014
Original Title:
O21
Alternate Titles:
Operation: O21
The Extortionist
Агент 021
Genres:
Action | Thriller
Production Companies:
Azad Film Company
Interactive Studios
One Motion Pictures
Production Countries:
Pakistan
Ratings / Certifications:
N/A
Runtime: 124
Two men only have 21 hours to stop a war between Afghanistan and Pakistan. An Afghan militant steals a microchip containing the names of people who want to exploit Afghanistan's mineral reserves.
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Assistant Art Director:
Tariq Hira
Assistant Camera:
Yasir Khan
Assistant Director:
Saima Ghazzanfar
Camera Operator:
Helher Escribano
Yasir Khan
Javier Ortega
Shehzad Azim
Co-Producer:
Jami
Azaan Sami Khan
Colorist:
Iqbal Mohiuddin
Conductor:
Alfonso G. Aguilar
Director:
Summer Nicks
Jami
Director of Photography:
Mo Azmi
Dolby Consultant:
Jaume Puig
Editor:
Rizwan A.Q.
Editorial Staff:
Alexandru Enache
First Assistant Director:
Shan-e-Muhammad
Nigel Xavier
Makeup Department Head:
Zera Azmi
Music Director:
Alfonso G. Aguilar
Musician:
Torres Benlloch Alicia
Ines Cruz Alberca
Florin Adrian
Alfonso G. Aguilar
Marcos Gomez Ecolar Alvarez
Orchestrator:
Alfonso G. Aguilar
Post Production Supervisor:
Carol Ann Noronha
Producer:
Zeba Bakhtiar
Wendy Haines
Script Supervisor:
Carol Ann Noronha
Second Assistant Director:
Uzma Zakaria
Gul Zaib Shakeel
Senior Animator:
Ahmar Naeem
Sound:
Muzna Qamar
Jasir Abro
Sound Designer:
Javier Ortega
Sound Editor:
Javier Ortega
Sound Mixer:
Javier Ortega
Dara Shikoh Channa
Sound Recordist:
Jasir Abro
Gissy Michael
Third Assistant Director:
Mohammed Ali Sheikh
VFX Artist:
Shan Ali Shamsi
Mirza Masoom
Visual Effects Supervisor:
Baseer Farooqui
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.