A work in constant progress (and occasional regress).
Release Date:
March 24, 2015
Original Title:
Southpaw
Alternate Titles:
La Rage au ventre
Redención
Revancha
Ο Αριστερόχειρας
サウスポー:2015
震撼擂台
사우스포
Genres:
Action | Drama
Production Companies:
Escape Artists
Fuqua Films
Riche-Ludwig Productions
Wanda Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BG: C BR: 14 CA: 14A CH: 16 DE: 12 DK: 15 ES: 12 FI: K-16 FR: 12 GB: 15 GR: K15 IE: 15A IT: T JP: R18+ KR: 15 LT: N-16 NL: 16 NO: 15 PL: 16 PT: M/16 SE: 15 US: R
Runtime: 123
Billy "The Great" Hope, the reigning junior middleweight boxing champion, has an impressive career, a loving wife and daughter, and a lavish lifestyle. However, when tragedy strikes, Billy hits rock bottom, losing his family, his house and his manager. He soon finds an unlikely savior in Tick Willis, a former fighter who trains the city's toughest amateur boxers. With his future on the line, Hope fights to reclaim the trust of those he loves the most.
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Art Department Coordinator:
Laura Pliskin
Art Direction:
Gregory A. Weimerskirch
Casting:
Lindsay Graham Ahanonu
Mary Vernieu
Co-Producer:
Kat Samick
Costume Design:
David C. Robinson
Costume Supervisor:
Diane Collins
Director:
Antoine Fuqua
Director of Photography:
Mauro Fiore
Editor:
John Refoua
Executive Producer:
Fang Zhao
Harvey Weinstein
Gary Cheng
Stuart Parr
David L. Schiff
David Bloomfield
Jonathan Garrison
Paul Rosenberg
Bob Weinstein
David Ranes
Dylan Sellers
Kurt Sutter
Ezra Swerdlow
Hairstylist:
Karen Lovell
Makeup Artist:
Louie Zakarian
Makeup Department Head:
Liz Bernstrom
Music Supervisor:
John Houlihan
Original Music Composer:
James Horner
Producer:
Peter Riche
Jason Blumenthal
Steve Tisch
Antoine Fuqua
Todd Black
Alan Riche
Production Design:
Derek R. Hill
Script Supervisor:
Deirdre Horgan
Set Costumer:
Alison Evans
Set Decoration:
Merissa Lombardo
Songs:
Eminem
Stunt Coordinator:
John Cenatiempo
Writer:
Kurt Sutter
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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