A work in constant progress (and occasional regress).
Release Date:
August 1, 2008
Original Title:
Angels, Demons and Freemasons: The True Conspiracy
Genres:
Documentary | History
Production Companies:
Reality Entertainment
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 82
Within every religion and every State there lurks an underground stream controlling and manipulating those in power. Great knowledge was fostered and hidden by these groups. Wars and revolutions were carefully planned and orchestrated by a Universal Brotherhood. The knowledge and power of these people would be deemed sacred and protected. Whether it was practical methods of survival such as navigation and measurement or inner psychological and spiritual wisdom, it would become the foundation for secret societies the world over. This is the story of the groups who have guarded this sacred knowledge for centuries. Featuring cutting edge CGI and never before seen footage of Freemason Lodges and the mysterious Rosslyn Chapel. Special guest George Knapp author of "Hunt for the Skinwalker."
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Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.