A work in constant progress (and occasional regress).
Release Date:
August 21, 1946
Original Title:
Notorious
Alternate Titles:
Berucht
Encadenados
L'amante perduta
Notorious – kohtalon avain
Notorious!
Weißes Gift
Ο Περιβόητος
Genres:
Mystery | Romance | Thriller
Production Companies:
RKO Radio Pictures
Vanguard Films
Production Countries:
United States of America
Ratings / Certifications:
BR: e 14 DE: 16 DK: 15 FI: S GB: U GR: 13 JP: G KR: 15 NL: 12 PT: M/12 SE: 15 US: NR
Runtime: 103
In order to help bring Nazis to justice, U.S. government agent T.R. Devlin recruits Alicia Huberman, the American daughter of a convicted German war criminal, as a spy. As they begin to fall for one another, Alicia is instructed to win the affections of Alexander Sebastian, a Nazi hiding out in Brazil. When Sebastian becomes serious about his relationship with Alicia, the stakes get higher, and Devlin must watch her slip further undercover.
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2001 #38 |
100 Years: 100 THRILLS
100 Most Thrilling American Films |
2002 #86 |
100 Years: 100 PASSIONS
100 Greatest Love Stories Of All Time |
Additional Writing:
Alfred Hitchcock
Clifford Odets
Art Direction:
Albert S. D'Agostino
Carroll Clark
Assistant Director:
William Dorfman
Costume Design:
Edith Head
Dialogue Coach:
Ruth Roberts
Director:
Alfred Hitchcock
Director of Photography:
Ted Tetzlaff
Editor:
Theron Warth
Makeup Artist:
Mel Berns
Music Director:
C. Bakaleinikoff
Orchestrator:
Gil Grau
Original Music Composer:
Roy Webb
Other:
Eugene Joseff
Producer:
Alfred Hitchcock
Production Assistant:
Barbara Keon
Script Supervisor:
Gana Jones
Second Unit Director of Photography:
Gregg Toland
Set Decoration:
Claude E. Carpenter
Darrell Silvera
Sound:
John E. Tribby
Terry Kellum
Sound Re-Recording Mixer:
Clem Portman
Special Effects:
Vernon L. Walker
Paul Eagler
Stand In:
Sam Lufkin
Still Photographer:
Robert Capa
Story:
John Taintor Foote
Writer:
Ben Hecht
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.