A work in constant progress (and occasional regress).
Release Date:
October 8, 1999
Original Title:
Naturally Native
Genres:
Drama
Production Companies:
Red-Horse Native Productions
Production Countries:
United States of America
Ratings / Certifications:
US: PG-13
Runtime: 107
Naturally Native follows the lives, loves, pain, joy and relationships of three sisters as they attempt to start their own business. Of American Indian ancestry, but adopted by white foster parents as young children, each sister has her own identity issues and each has chosen a very different career path. Now dedicated to starting a Native cosmetic business, they attempt to overcome obstacles both in the business world and in the home. A touching love story of family and culture, Naturally Native also interweaves a subtle, but strong wake-up call regarding the treatment of Native people in corporate America. Naturally Native also provides some insight into tribal infrastructure and gaming issues.
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Assistant Director:
Lawrence Kane
Cableman:
Troy Swezey
Camera Intern:
Selvyn Price
Casting:
Donise Hardy
Jory Weitz
Color Designer:
Andy Lichtstein
Costume Design:
Irene Fredericks
Director:
Valerie Red-Horse
Jennifer Wynne Farmer
Director of Photography:
Bruce L. Finn
Editor:
Lorraine Salk
Executive Producer:
Dawn Jackson
Grip:
Le Richardson
Line Producer:
Pam Auer
Loader:
Chris Estes
Music:
Murielle Hamilton
Post Production Supervisor:
Debby VanPoucke
Producer:
Yvonne Russo
Valerie Red-Horse
Production Design:
Kee Miller
Production Office Assistant:
Robert J. Thissen
Property Master:
Lisa De Alva
Second Unit:
Michael R. Holm
Sound Design Assistant:
Shawn Ian Kerkhoff
Sound Effects Editor:
Lisa Hannan
Sound mixer:
Jussi Tegelman
Stand In:
Shelly Little Feather
Stunts:
Con Schell
Writer:
Valerie Red-Horse
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.